Robertson Davies: Elitist

I was once accused by the chaplain of Massey College of being a gnostic. He was very angry with me indeed. But part of being gnostic was using your head if you wanted to achieve salvation or even a tolerable life. That is something that the Christian church tends rather to discourage. Salvation is free for everyone. The greatest idiot and yahoo can be saved, the doctrine goes, because Christ loves him as much as he loves Albert Einstein. I don’t think that is true. I think that civilization—life—has a different place for the intelligent people who try to pull us a little further out of the primal ooze than it has for the boobs who just trot along behind, dragging on the wheels. This sort of opinion has won me the reputation of being an elitist. Behold an elitist.

This is from a wonderful interview with the multifaceted author, Robertson Davies, for the Paris Review. His responses are well-considered, done as they were before everyone felt pressured to distill themselves into soundbites. He provides a wonderful perspective on fiction writing, the role of the writer, what his own background lends to his writer’s toolkit, as well as an assortment of miscellany (including a very interesting reflection on the differences between Freudian and Jungian psychology, no less). He was a true character.

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Renovations

In the attempt to import 400+ pages from Blogger to here (via WordPress), there were several (try over 75) pages whose subject-tags were not properly imported. They became auto-assigned to “Uncategorized”. So, I’ve spent time each day re-categorizing them. They were mostly older posts – a lot from when I started in 2006. That was <checks watch> over five years ago.

The difference between blogging and writing fiction is that with a blog you’re not supposed to correct or revise things past a certain freshness date. It’s a journal: you don’t screw with it. The past is ultimately the past, and if you look like a moron in the past then, perhaps, that’s you being a moron in the past. Contrarily, with fiction, there is no straight jacket: when you look at past writings your lithe reflexes unravel a cloth roll of surgeon’s tools, all necessary for cutting and cleaning what you’ve written, regardless of how brilliant or not brilliant your ideas.

Thus with fiction, sensitivity to the whole is greater than the brilliance of the individual turn of phrase. With blogging, respect for The Record supersedes the ego: you must be careful not to disturb The Record.

And so I unearth and renovate quietly. I open the “Uncategorized”, scan them to make sense of how I should properly re-categorize them. Some I want to delete. Some I do delete (two posts: trust me, they were stupid). Others I begrudgingly leave. Renovation inevitably exposes weaknesses: of thought, of argument. It also lays bare ideas and passions you’d put aside in favour of other pursuits, but which you read today with fascination as if someone else had written them. This is the good thing about writing – fiction, poetry, magazine articles, blogging – no matter what your focus is, if you do it long enough you inevitably have something with which to reflect upon.

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I Don’t Want To Know

As a writer, even though I am not part of any sort of literati, I am still plugged into the lit scene. You need to be if you want to understand the general to-and-fro of any industry you are interested in becoming a part of (same goes for TV, music, theatre, etc..). That said, I must make an admission. I am making this admission because I think there are a lot of people like me out there who feel the same but are reticent to admit it.

Here goes: I don’t take any particular interest in the life of the artist outside of his or her art.

When I read a book, I don’t care if an author comes from the East Coast and studied journalism, had a drug problem and now lives in a shed with a mastiff. It’s not that I don’t care about this author personally, it’s that these facts shouldn’t have anything to do with the book that I am about to read. I should be able to pick up the book, knowing nothing about said author, and be able to read it, enjoy it, be fully affected by it, without substantially missing something due to a lack of familiarity with the author’s biography.

And yet, when you are culturally plugged-in (and by this I mean, you check out industry blogs, trade mags, etc.) there is so much white noise about the artists themselves that it seems divergent from what it is they are supposed to be doing: their work. We can talk about Picasso’s passions, but 100 years from now there will probably only be discussion of his work – your work is the only thing left after you and everyone who knew you has died. And if people are still talking more about you than your work after this point, then I would think the quality of your work was overstated.

Would knowing that Stephen King battled drug addiction offer an insight into some of his writing? Yes. But, my point is that if that insight is necessary in order to fully appreciate a piece of work then there is a problem. The work doesn’t work if you need a biographical cheat sheet to inject context into the material.

I think Bryan Ferry is an fantastic vocalist – and I don’t want to know anything more than that. Nor the details outside a director’s films, nor what inspired the playwright to write her play. I’ve got my own shit going on, thanks very much.

Ephemera is for journalists, fanzines, and those working on their Ph.D. The general public should not feel inadequate if they pick a DVD or book off a shelf, sit down in a theatre, or load a song without being prepared with supplemental information not contained within the medium which contains the work. The work inevitably has to stand up for itself. I write this for two reasons: first, with the likes of the AV Club and traditional print/TV media clamouring to add as much web-based context as possible to every article, there’s a growing sense that – for the everyman – if you aren’t savvy to the smallest details of each artist’s passings and goings, you are nothing but a tourist. Secondly, embracing social media to a claustrophobic degree, we can now read endless commentating on authors reading their work for a live audience!…something no one really asked for outside the publishing companies themselves and perhaps the authors’ parents. Let’s face it: most authors can’t read aloud to save their lives – it’s not their specialty.

There are reasons for digging deeper, but that’s up to the individual. It was interesting to learn more about HP Lovecraft when I reviewed Michel Houellebecq’s quasi-biography of him and his work. What’s funny, however – using that same example – is that when I proceeded to read the two works by Lovecraft contained in that same book, I don’t recall thinking to myself “Ahh – this is where his uncomfortable relationship with women takes shape!”. That’s because the stories were two of his masterpieces, and when you witness a masterpiece, peripheral biographical information is going to gunk-up your enjoyment.

The medium may be the message, but the work contains the words. Outside of this we are left with cultural “bonus features”. Nice to have, but not necessary.

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The Sky is Falling (Very Slowly), or, Will The Real Science Please Stand Up

The problem with having a belief in something which happens to be provocative (and by provocative, I mean something which is not embraced by the whole and which may be a bit thorny for some) is that, like in most aspects of life, all it takes is a few zealots to make you look like a fool by ideological proximity.

As I pointed out many moons ago (December of 2006!) when it comes to climate change (as opposed to the slightly misleading term global warming), outside of blind ignorance our greatest liability are people who jab an accusatory finger at every natural disaster and scream “You see! It’s global warming! Climate change caused this! If we don’t do something NOW we are doomed as a species!”. For me, it started with Hurricane Katrina, when people (a fantastic percentage of whom had no scientific accreditation) began to suggest that it simply wasn’t an old-school “act of nature”, but rather something to be blamed upon worldwide environmental collapse (as if New Orleans didn’t have enough problems to contend with). It fed into a grand conspiracy theory which gave certain people a quixotic reason to exist: that mankind was the chief culprit all along, and that it was only a question of years to fix it. Cue epilogue of Planet Of The Apes.

On the other (self-evident to the point where I wonder whether it’s worth mentioning) end of the spectrum are the usual assortment of deep-pocketed corporate “carbon monoxide is good for you” state polluters, and knee-jerk libertarian radio hosts who feel that idling their cars is akin to patriotism (and, as an aside, the whole libertarian-patriot thing seems like an oxymoron, doesn’t it?).

The thing is this, panic aside: I do believe in climate change. All that shit turning to water north of us (that would be the Arctic ice) is a sign. Much less lachrymose is all that science, provided by all those scientists, which pretty much confirms that, yes, climate change is real, and that, yes, human industry is a variable in its occurrence. The issue of how the future is looking as a result of climate change is less clear. The problem is this: remember those largely non-scientific people blaming Hurricane Katrina on climate change? The ones telling us that if we don’t do something NOW then the world’s a goner? They got a lot of attention; the cameras kept rolling. This was probably just a knee-jerk reaction of mass media which was (and is) delighted to scare the public any chance they get (it keeps ratings up). Well guess what: some scientists found that if they used the same sort of seismic analogies and kept the ticking clock of doom just a few minutes away, not only would they get attention, but they could get funding.

Inevitably, it had to end – the speculative bubble that is. You can only say that we have five more years to change the world for five years until people start asking why societies haven’t collapsed like the finale of an Irwin Allen movie. And then someone or some group hacked into the records of some climate scientists and found that some of them were acting like jerks, that some of them didn’t want to play nice with their facts (unlike all those journalists and columnists we read). To me, this was heart-breaking, because it allowed both honest sceptics and partisan political hacks alike to pull a j’accuse and call it Climategate (seriously, I look forward to a world without the silly and dated gate suffix) and call the science itself into question, as opposed to the questionable actions of a few. Some have hinted that the bad publicity fall-out could set climate science back by a decade if increased public persecution gets worse. However, I feel this is as likely as, well, the world ending in five years.

The good news is that the world hasn’t ended; neither our world, nor the world of science. If anything, reading today’s op-ed by Margaret Wente in the G&M, even people who previously took every opportunity to deny the existence of climate change are now looking at things plainly: no pro trumped-up worries about imminent global catastrophe, and no con lefty/green/hippy bullshit stereotypes. If anything, perhaps bringing those few scientists into the spotlight has, post whatever-gate, calmed everyone down a notch. Perhaps enough so that we will be able to parse our language into something which does not use fear as a means of persuasion. Perhaps so that we won’t dilute the meaning of words like green and sustainable to homeopathic degrees.

I believe (or at least I hope) we can find an entry-point where we can use science and research rather than propaganda and fear to motivate ourselves to improve our prospects (that is, both human prospects and business prospects, two things which have not always shared mutually fulfilling goals). It is heartening to see that there may be an X-Prize for fuel/energy production, similar to what was done for sub-orbital exploration. I’d also like it if we could reboot the message of environmentalism with a good ‘ol back-to-basics mantra of: use less (as in packaging, unnecessary products, natural resources). I will be happy, even if it is all a hopelessly lost cause, that we go down working on something together as opposed to a Purgatory of scoring political points against ourselves.

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Turn Off The "Lite"

I was scoping around the various newspaper sites, as I do every morning, and found myself staring at the following headline at the top of the Toronto Star: “Frost/Nixon Up For 5 Golden Globes”.

Generally speaking, I have nothing against “entertainment news”, conceptually anyway. Most will agree: we can’t always be bombarded by the depressing day-to-day reality of just how potentially stupid we are as a species of animal. Sometimes we need our Robert Mugabe cut with a little Brad Pitt to make it go down easier.

I will accept that, as a species, we can’t eat our broccoli without the promise of something else more appetizing, like dessert.

Perhaps it was the fact that the Golden Globe awards are a second-rate contest, occasionally with fixed odds; a calliope’d portent of what the Oscars will be in a year or so (at the rate they are going). Perhaps it’s my bewilderment that a Canadian newspaper is putting it at the top of its site at a time when our Parliament has been prorogued by the government to protect its divisive reign, at a time when smart people have stopped investigating how and why the Vesuvian economic crisis in the U.S. happened, at a time when several African countries – not least of which Zimbabwe – are undergoing crises which the world will undoubtedly pay for down the road.

I admit, I am jaded by the media. I sometimes wonder what would happen if we were somehow able to harness the energy otherwise spent on detailing the brunch menus of Hollywood stars, to put it to use in better investigative reporting (or more investigative reporting, which would be nice…you know, fifth estate and all that).

There is a time for “lite” news. Some of what some people consider to be “lite” is actually – in small doses – tranquilizing in a nice way (cats that use toilets, public school spelling bee competitions, the ubiquitous athlete crossing the globe to raise money for x, etc…). I’m not, after all, nailing a manifesto to someone’s door. I’m questioning the proportionate worth of “lite” in a capricious world which, for now, is not “lite” at all (unless you’re a Buddhist, in which case everything is Nothing – please find another blog to read).

Rather than constantly anaesthetizing ourselves with the likes of the Golden Globe nominations (“The Curious Case of Benjamin Button” hasn’t even been released yet!), I wish our media could put the likes of “lite” into a corner rather than, as if under hypnosis, regurgitating the same soulless AP and Reuters items without care or discernment of the type of world we wish to portray.

Happy Thursday.

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Article: The Top Censored News Items of 2007

Slashdot, a site I visit every once in a while for media/technology news (their motto is “news for nerds, stuff that matters”) had a summary of a very interesting (if disturbing) article, by an outfit named Project Censored (from their website: “Project Censored is a media research group out of Sonoma State University which tracks the news published in independent journals and newsletters. From these, Project Censored compiles an annual list of 25 news stories of social significance that have been overlooked, under-reported or self-censored by the country’s major national news media”).

Indeed, the Top 25 Censored Stories of 2007 contains some pretty disturbing stuff. Like:

#2 Halliburton Charged with Selling Nuclear Technologies to Iran

and…

#11 Dangers of Genetically Modified Food Confirmed

Again, though it may be easy, superficially, to think this is yet another left-wing group with a wishlist, it isn’t. These are well-researched, authoritative items of interest that are cross-confirmed by third-party contributors. That our media (and yes, there is an Americentric focus to the list – Project Censored is, after all, an American outfit) pays scant attention to any of these and yet devotes slightly less time to Anna Nicole Smith’s death than on the day of 9/11 is a travesty.

Since we’re on the topic of journalism, ethics, and self-censorship, allow me to talk to you about bias. There’s been a lot of mud thrown since just before 9/11 (and obviously since) about a “liberal media bias” in the news. In return, and certainly since 9/11, there have been just as many accusations about “right-wing media bias” also. The problem is that neither accusation is particularly correct – or rather, neither of these stances tackles the larger issue: money.

Television news requires advertisers to produce it. The producers of television news require viewers in order to sell advertising time. Ostensibly, there is no difference between news programming and sitcoms. They need to keep viewers watching in order for the advertisers who sponsor/pay-for the program to feel as if their money is well spent. Print news is the same (as are their internet-based spin-offs): advertisers are the lifeblood of news. It has been this way for over a hundred years.

So, getting back to the “liberal media” vs. “right-wing media” infighting, it’s not a question of who is truly pushing a “liberal agenda” or what show is promoting an unquestionable “right-wing” viewpoint. It’s about making money, getting viewers, and above all, keeping advertisers happy.

This is one of the not-so-good things about capitalism. When you surrender journalism to “the market”, the market wins every time. Thus, Anna Nicole Smith’s death is the rational choice for keeping viewers entranced and advertisers happy over, let’s say, the destruction of the world’s fish stocks. Complexity – and if there’s anything you can count on in life, it’s complexity – does not sell, or so “the market” dictates.

There are always exceptions – PBS in the US and CBC in Canada: however, both have been corrupted by government intrusion, if not partially hobbled. Funding for public broadcasting is constantly being trimmed and political interference, particularly in PBS’ case, has started to infect the roots.

I write all this not to say “don’t read newspapers, don’t watch Newsworld @ 11” but rather so that people understand that, yes, it’s possible for a newspaper or broadcast to spend pages of print and minutes of talking without actually focusing on stories that are truly substantial.

My advice: Keep digging. Don’t get sidetracked by trifling “left” vs. “right” debates when the freedom of news itself is the issue.

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Darfur – A Range of Opinion

You know you’re looking at a real-life problem (as opposed to the more easily-digestible choices portrayed in television dramas…who am I kidding – television news as well) when its tangled complexity clogs the drain of your ability (or desire) to “solve” it.

Take Darfur.

The way in which this conflict is rendered has been a hotly debated topic. A recent analysis showed that, in 2005, the Darfur story was covered for all of 10 minutes on the three major American networks; this would imply that the television-drama ER (in an upcoming episode) will have covered 6 times as much as them…again, in a single episode.

The newsmedia is sometimes the only means a tragedy has of reaching the eyes and senses of those who are too distant to know about them. Speculatively speaking, I have to wonder if some in the newsmedia – the above mentioned networks who all but avoided this situation for years prior – are now reluctant to spotlight it because doing so inherently implicates past apathy. An extreme interpretation, perhaps, but considering the media’s tepid hold on our trust – post 9/11 – this seemingly bizarre behaviour is not without recent precedents.

On the topic of how the situation in Darfur has been rendered in the media,Guardian journalist Jonathan Steele, describes in this bloggish-commentary what he calls the Darfur Disconnect:

[…]
Commentators thunder away at the need for sanctions against the regime in Khartoum and denounce western leaders for not authorising Nato to intervene.

Last weekend the outrage took a new turn, with big demonstrations in several American cities, strongly promoted by the Christian right, which sees the Darfur conflict as another case of Islamic fundamentalism on the rampage. They urged Bush to stop shilly-shallying and be tougher with the government of Sudan.

The TV reports are not wrong. They just give a one-sided picture and miss the big story: the talks that the rebels are conducting with the government. The same is true of the commentaries. Why demand military involvement, when western leaders have intervened more productively by pressing both sides to reach a settlement? Over the past few days the US, with British help, has taken over the AU’s mediation role, and done it well. Robert Zoellick, the state department’s number two, and Hilary Benn, Britain’s development secretary, have been in Abuja urging the rebels not to waste the opportunity for peace. Sudan’s government accepted the US-brokered draft agreement last weekend, and it is the rebels who have been risking a collapse.

[…]

An interesting, if divisive, point of view. I say divisive because it drags into the debate an almost unnecessary contention that there is some cabal of the (increasingly journalistic cliche) Christian right to portray this as a spectre of Muslim imperialism against Christian Darfurians – the truth of that particular matter is certainly more complex. I can certainly say that the rally I attended in Toronto had no religious overtones or other types of self-investment.

The more salient argument in this excerpt is whether, in pushing for military intervention, NATO/UN forces could unknowingly apply the wrong type of pressure and drive the conflict deeper or perhaps fragment it along ethnic/political lines – in this regard, it’s not as if there is a single Darfurian rebel organisation sitting at the negotiation table. There are several – some small, some large, and inevitably one would assume each may have their own agenda.

Don’t get me wrong. I’m not trying to spin this into something that it’s not – ie obfuscate the conflict to the point where inaction is seen as an option – but rather, I’m trying to see different points of view because I really don’t feel we’re getting it from the media.

On this note, the CBC is having a Foreign Correspondents Forum on June 1st. They are taking questions from viewers regarding international events/affairs. I’ve taken the liberty of posing some of the questions raised above. If you would like to do the same (about Darfur or any other area of the world), visit this page for more information.

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Comment: Watch the Packaging

We have never lived in a more duplicitous age of mass-communication.
Partisan propaganda is becoming more insidious and sublime than
ever before.

Here’s the classic setup:

1) First, the delivery: matter-of-fact, neighbourly, and gently
authoritative.

2) Second, the offence: more than just choosing a random offender,
but an offender who acts as a subtle metaphor for a greater (more
dire) concern. For example, rather than choosing someone who (let’s
say for naive reasons) refuses to honour fallen WWII soldiers,
choose someone who is also a university student. Student council would be
perfect: corruption at the root of education. Suddenly (seamlessly) your target
becomes indicative of a classic hate-mongering cliche: the
ungrateful and radical liberal post-secondary environment. This is
the classic stereotype – worked great in Cambodia.

3) Third, compound the offence with a black and white conflict:
heroes and villains. Follow the naive student’s debacle with an
earnest recapitulation involving inarguable tales of those who
bravely fought for our freedom from fascism. Talk about how evil
lurks at every corner and does not care about the democratic rights
of civilians, and how the only tonic for this insidious evil is a
militarised environment: soldiers, police, guards, controllers.
Slowly draw this together with the events proceeding September 11th
2001 and proudly unfurl the [place country here] flag.

4) Fourth, summarize. Condemn the naivety of post-secondary
environments – portray them as liberal oases for myopic elites, while
our downtrodden guardians fight without asking for thanks, against
an all-pervasive evil which is thankful for student dissent.

5) Conclude with a question for the general public: who’s side are you
on?

This is the overarching style indicative of news media formats
today: rhetorical, manipulative, and hate-mongering. It’s all in the
packaging, not the individual stories themselves. Who wouldn’t
believe the student is a naive idiot? Who wouldn’t believe that
soldiers put their lives on the line everyday? Put the two together
and you have cause to be suspicious about what goes on in
post-secondary environments – about the students, teachers, and
those who defend their rights.

It’s similar to documentary filmmaking: there’s no such thing as
objective. The minute you edit footage you are making an intentional
move to direct the discussion in a particular way/format. Words like
‘fair’, ‘balanced’, and ‘objective’ have been twisted like toffee in
the last five years. The end result is: you’re on your own.

Utilize critical thinking at all times. Ask yourself if you’re being
shown the big picture or simply baited. Ask yourself if there is a
perspective that isn’t being allowed into the picture. Ask yourself
if the questions asked are not actually questions, but assumptions
(ie. How long until Quebec separates?).

When you turn on the news, you have no friends.

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The Best of Bird Flu

A montage of the latest TV network bird flu graphics:

I particularly like the middle image (courtesy of CTV Canada) of the sideways-glancing chicken with the fiery globe behind it. Nice and balanced – no fear mongering here.

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