Category: me

Posted on

Me @ The Drunk Fiction Reading Series

Happy to announce I’ve been asked to be part of the Drunk Fiction reading series this month! I’ll be joining authors Brooke Lockyer, Selena Mercuri and Andrew Robertson. The event will also feature the launch of host Emily Weedon‘s novel, Hemo Sapiens (incl a Q&A). I’m going to be reading from Radioland, and copies will be available for sale (and I’m happy to sign your book if you pick one up!). This is happening Tuesday September 23rd in Little Portugal, at The Caledonian (856 College St). Hope to see you there!

Share
Posted on

I’m In The Guardian (!)

So, it may not be exactly as I might’ve dreamed (talking about, you know, one of my novels), but I was thrilled to be included in a very excellent Guardian piece by Ioan Marc Jones discussing men who have a habit of making every conversation about themselves, in particular the author’s own attempt to better understand and reform his bad habits in this regard.

It’s a strikingly personal piece, and I think it has resonated with a lot of people, particularly women, who have had to sit quietly while yet another guy turns the focus to their thoughts and opinions rather than work better toward listening and creating actual conversation. I’m grateful to have been able to speak as a psychotherapist with more than a little understanding of this phenomena.

Share
Posted on

Me & Genre

What do I like in a book?

I like to feel immersed, whether it be in an environment, or character, or perhaps only a sustained tone; mix of any of the above is even better. I like books that make the everyday somewhat strange, or alternately making the strange seem ubiquitous. As a writer, I think this is what makes so-called genre books (typically sci-fi, fantasy, horror, western, etc) that much more challenging to pull off satisfyingly. I mean, sure, a lot of writers can pull of a few paragraphs or even pages of a genre story, but to do so in a sustained way, with a determined consistency…that’s hard. It takes a lot of work to do it well. Yes, yes, the literary small town book with the domestic intrigue also requires much of the above, but go ahead, you add menacing tentacles and see how far you can go.

I have a complicated relationship with the genre universe. I work in genre but I’m not wedded to it in as totalizing a way as many writers so firmly are. To the far end of what annoys me about genre works are tired tropes (laser guns! robots!) left unexamined, and to the far end of what what annoys me about what we call literary fiction, is the sense of an author proceeding to insert their head up their ass. I actually expressed this at a author talk in Winnipeg and I don’t think it went over well, but I reserve the fact that the other author I was supposed to appear with got his calendar mixed up, leaving me, the organizers, and the local audience (more than half expecting the author who didn’t make it) high and dry. In retrospect I wished I’d engaged more with the host–a much more committed author of genre than I–so that it was less about solo author me and my book, and opened up the discussion so that it was more a conversation and less what ended up being a short Q&A. That handful of author talks I did while publicizing The Society of Experience across the country (okay, Ontario and the prairies) were a learning curve for me, mostly in terms of learning to take more consideration of what an audience wants to hear, versus whatever thoughts are occurring to me while I’m in the spotlight. First rodeo, etc.

When you write a book like The Society of Experience, which riffs on a couple of genres–namely sci-fi, but also western (Derek’s The Lonely Cowboy stories)–but remains steadfastly literary, it can be easy to find oneself unsure upon which patch of the ice floe to stand on. I certainly felt more at home in literary circles because it’s largely what I read the most, and the novel was firmly that, however in the handful of more genre-forward appearances I made–conventions, reading series’–I found myself more often not seeing myself in the audience. They tended to be more capital-G genre readers, and I felt a bit like an imposter. I mean, there are worse problems to have in life, but being an artist is about connecting, and when you don’t see yourself in the room it can be weird, as if you’re doing something wrong.

With my novels, I’d like to think I’m doing something different. I’m kinda saying hey literary folks, you don’t have to make it so kitchen sink realistic, like The Diviners or Of Mice and Men, although those are excellent works (and knowing how to render a realistic environment is a huge skill). And at the same time I’m also saying hey genre folks, you can have three dimensional characters wrestling with things that aren’t literal tentacles. I have a suspicion Stanislaw Lem liked detective stories because so many of my favourite short stories by him involve the solving of a crucial riddle, often involving a terrifying event. And while he wrote almost exclusively in genre (sci-fi) his curiosity and want to mix these influences with his scientific  preoccupations make for fascinating reading. One story I would use as an example of this would be Ananke from the collection More Tales of Prix the Pilot; its use of a line from an Edgar Allan Poe story as a clue to an unravelling investigation on Mars is Lem firing on all cylinders. I swear it’s like taking a drug reading something like that; you just want to savour the rush for as long as you can.

A book is a book. A story is a story. It doesn’t need to correlate to any categorical expectation, other than it be worth the reader’s time and intelligence. And yet publishing–like any creative practice which survives on scant government funding and word-of-mouth– can get caught up in pettiness sometimes, which I find frustrating, and I don’t doubt, especially doing something different, that I’ve been the recipient of some sniping. I know I’m not a provocateur or some self-styled controversialist aiming to upset norms; I’m not trying to upset anything other than to demonstrate a hybrid style that is sometimes weird and different. Like most arts you need a thick skin for this, and I’m not just talking pub rejections.

Share
Posted on

Self-promotion

Hate it. Hate. I hate it. *spits poison from wound*

Promoting myself sometimes/always feels like putting on a clown suit and yodelling “Hey everybody, something I wrote that I think is good was published,” while squeezing a bulb horn and yuk-yuking my way until falling through a manhole.

I think it — this notion that self-promotion is a kind of fool’s errand — can come down to two things: a socially internalized idea of “selfishness,” and social anxiety.

A big part of it is the visibility. I have social anxiety, though some people who know me may not clue into this, and while it’s way better than when I was younger (thank you, therapy and age) it’s not non-existent, especially on days when I’m feeling conflicted about whatever personal or work-related conflict is afoot. But this is just part of it, a facet of a more complex whole.

Promoting oneself shares some Venn with “networking,” a word which can cause some people to feel the urge to vomit, largely owing to prolonged exposure to those who are just a little too slick and creepy — and sometimes strangely successful — in social situations. How can one be oneself-with-others in a way that is flexible — reasonably invested and and curious — which also makes room for our strangeness; our quirks and idiosyncrasies? I’m not convinced it needs to be the exclusive domain of the neurodivergent or the anxiety-having, who are more attuned to this idea owing to their need to otherwise “blend” in social environments. I think, for many people in the general population, being ourselves-with-others can sometimes feel like a series of situational disguises. Just how coherent are our identities? Is “identity” just an ever-shifting amalgam of self-adjustments to our social environment?

Anyhoo, self-promotion is a similar sort of pain. I don’t want to be that guy (insert image of shameless author plugging their wares to an annoying, kinda desperate degree and taking little interest in, you know, community). And yet it’s kinda naive to think that people will just find your work through a random series of adventures (though that can happen in real life, albeit often on an infinitesimal level).

Look, I will admit I’m luckier than 99% of writers out there: I’ve had the opportunity to visit several cities across the country promoting my books*. I was interviewed by Gil Deacon on CBC Radio*. However, not unlike crowd-surfing (IYKYK), in no time the glow fades out, your ass is on the floor and before you know it you’re abruptly just another chicken scratching at the same yard. (* thanks in large part to my publisher’s travel and publicity grants)

So, I suppose, a thesis: I promote my work because I think it’s good and I would like to encourage people to seek it out if it appeals to them. That sounds pretty straight-forward, right? This isn’t a particularly revolutionary or provocative statement.

This is where “selfishness” comes in, at least for those prone to this idea. I’m not talking about healthily putting one’s interests to the front burner, but rather the idea of self-promotion as an egotistical pursuit, an unchecked desire to put ourselves first in a gross, narcissistic, oxygen-depleting way. There are many reasons for having this play in our thoughts, particularly if you’ve been raised in environments that use guilt and shame as a means of “correcting” behaviour that strides to stand out (let alone celebrate personal accomplishment).

So, yes, doing something perfectly acceptable such as promoting the short story or essay or novel we wrote, the beast that took untold (unpaid) hours of our time to craft, can come across as craven and attention-seeking if we’re feeling less than confident, or struggling with self-worth issues…which, while acceptable within the purview of human complexity, is also kind of silly.

Writers, put your work out there. Shout about it from the rooftops. I might also suggest that, working in the same principle, you put forward the works of your peers along the way. We all deserve to have our works appreciated, and there’s no way of doing this without sticking our necks out in public — it is, I think, part of being an artist, whether or not we are comfortable with it.

Share
Posted on

The End of 2024

It’s been an eventful year, insofar as there seemed to be a lot going on and yet seems to have passed by quite quickly.

I’m happy to have completed revisions to my next novel, The Stars Align for Disco Santa, and passed it on to my agent (who I hope reads it soon, but he’s a busy man). Fingers crossed that in 2025 it does the rounds of publishers and finds a suitable home. Otherwise, as writing goes, it’s been liberating. As well as the novel, I’ve been seriously working on an essay about my uncle’s guitar and the sordid personal story surrounding that. As I might’ve mentioned previously, it’s the sort of personal essay that requires much more contemplation (not to mention exploring my own blind spots) than even a novel. There’s nowhere to hide with something like this, not when you’re writing about yourself. I’ve had essays published before — one of them made 2017 Best Canadian Essays — but it wasn’t nearly as vulnerable as this piece; there’s so much woodshedding (to use a guitar term) involved, and yet I’m happy with how it’s coming, even if it hurts to reach into the places it needs to go.

I also began in earnest on a fourth novel, which is coming along well. It takes place just a little bit in the future and seems to be drawing out a lot of my more philosophical thoughts about society and the erosion of democracy. The main character is a psychotherapist who finds herself immersed in an unspooling drama while attending a professional conference. It has a title, though I’m too superstitious to reveal that before it’s been vetted by my agent.

I had hand surgery in October, which was an emotional experience for me (speaking of unspooling), combined with the pressures of my work. The good news is that I’ve given myself a couple of weeks away from the office to let things coalesce. The trick, as I’ve touched on over at my professional blog, is not to overwork myself. In short, there’s no winner if I’m dead at the finish line.

For the new year, I see myself being a little more public-facing as a writer. I’ve been toying with the idea of facilitating a seminar for authors, focused on how to read for an audience. This is a long-brewing idea that I’ve kicking around for a few years now, inspired (if that’s the right word) by the fact that so few authors seem to know what to do when they’re reading their work for an audience, which ends up doing themselves and their work a disservice. If I can swing it I’d like to aim for the spring. It’s a way for me to give back to the community (I plan to make it pay-what-you-can just to cover costs, with whatever proceeds remaining going to a local charity).

Of course, politically and socially, there appears a storm approaching, and I don’t know what to do about that except to direct my powers as an artist toward addressing it in whatever way I can that might (if I can make a wish) allow people to understand how we got here, or at least put the spotlight on those who have done a better job of describing this better than I can.

I wish you, dear reader, the best for the new year. You have more power than you think you have, and I hope you find a way to channel it in such a way as to cut through the divisiveness of our time. I think community is important, and ultimately this concept is more powerful the more local and intimate its location.

Share
Posted on

Hands On

Hand update: I’ve got a pretty gnarly scar, but there’s progress. Two weeks ago they removed the stitches from my palm, and I would not wish that pain and discomfort on anyone (note: they can’t anaesthetize your hand for this).

Psychologically I’ve been up and down. I’ve had to work through a feeling of being violated, of having to re-familiarize myself with what my hand can do (via physio) while fighting the fear that I’m going to pull or tear something in the process of rehabbing it back to where it should be.

While this has all been going on the political world south of the border has erupted into a swirl of chaos and condemnation. It’s a type of deja vu, considering we went through four years of this already. In the end, one of the people running for the presidency represented change and the other chose stability; the problem of course is that stability is hard to defend (let alone promote) when the candidate in question is trying to be a celebrity-endorsed centrist while there are so many voices in the mainstream media complaining about a left-wing cabal sacrificing the sanctity of American values. Frankly, it’s only a matter of time before the same debate amps up on this side of the border (it’s basically already here), what with a thoroughly mediocre Prime Minister playing out his third term similar to a sitting duck Biden, with little regard for the public malaise around his party. Cooler heads prevail when there are reasons to stay the course and our current PM struggles to even sell his wins let alone address his weaknesses.

When I wrote my third novel, The Stars Align for Disco Santa, it was during the worst year of Trump (2020), and was certainly influenced by many of the things that have now come to fruition: authoritarian politicians abetted by corporatist tech companies running roughshod over and unveiling the frailty of democracy, exposing how much of the West is protected by evidently feeble gentlemen’s agreements and empty platitudes of decency. In other words, if Harris had won, my book–soon to be doing the rounds of publishers via my agent–would’ve still been relevant, but reflective of a dark time in society now past. Now? It seems more pertinent than ever, which is terribly sad (an understatement), but here I am.

You write the book you have to write. By the time it hits the market you have no say on how trends will have changed in the interim, how the landscape and zeitgeist will have shifted. When my first book was picked up by Wolsak & Wynn, I had to wait nearly three years before it was published; in that time the media landscape seemed inundated with time travel narratives, so that when The Society of Experience finally came out the conceit felt certainly less unique than during the years I’d spent writing and polishing the manuscript. In short, you really have no choice but to deal with it, and I can only hope that, by the time Disco Santa does the rounds, publishers will see it as rising to the occasion.

Share
Posted on

Back, Kinda

So, as you may have noticed from last week’s post, I’m able to write again, and much sooner than I’d anticipated. My assumption was that I was going to be in a splint after my hand surgery, perhaps for upwards of months (thus my interest in voice dictation software). However, literally the day after surgery, I got a call from the hospital attempting to book me for physio two days later. Because I was in a cast I didn’t know what “physio” was to be done (see photo below).

(My hand in a cast, two days after surgery, on my first day back to the office)

When I arrived, the physiotherapist looked at my cast and then took a pair of scissors and said “So, let’s take a look at your hand…” which caught me by surprise. This is where I should probably go into the surgery itself, three days before. I was asked to show up for 8am that morning. It was cool and dark out (hello, late October) and I was dressed appropriately for the occasion, which basically was track pants, a loose pullover, a hoodie and wearing glasses. Normally I wear contact lenses but I knew this probably wouldn’t be a good idea given that I was going to be put under for the procedure. They’re an older pair of glasses and I don’t wear them out very often…and sure enough, just steps from the hospital, as I removed the hood from my hoodie, my glasses slipped down my nose and fell onto the sidewalk, breaking into two hinged monocles. And it might as well have been my spirit that broke. My prescription is strong, which suddenly rendered the world a smeared blur of strange shapes moving around me as I picked the pieces of my glasses up and entered the hospital in a state of despair. I held one half of them against my face, feeling terribly awkward…and terribly vulnerable being in this strange environment, on the verge of having major surgery.

Once the staff directed me to a pre-op area where I was required to change into a gown, to my frustration I realized–despite the nurses kindly providing me with tape–that the frame had broken at an awkward place on the bridge, which made re-attaching them nearly impossible without their collapsing soon after. I’m not too proud to say that I nearly had a fucking breakdown as I futilely tried to restore some semblance of my vision. And all of the pent-up anxiety I’d been holding around the surgery for months, around the potential outcome, around what my life was going to look like while in recovery came to the surface. I should say that the pre-op nurse who noticed my freak-out was very helpful and empathetic (she shared that her prescription was much worse than mine; she’d had laser surgery).

I can do pain. I’ve done pain. But the intimidation of the procedure–the not-knowing–was overwhelming as they wheeled me into surgery. When I woke up and saw the cast, and realized my arm was completely limp as a result of the anaesthetic, it was a lot to work with.

So, just days later, when the physiotherapist began cutting it off, revealing my stitched up palm and thumb, the blood that soaked the bandage she was removing, I was overcome with emotion. “Are you going to be sick?” she asked in a practised way as I stared at the absolutely gory Frankenstein result. I shook my head, instead looking at the box of facial tissue on the counter, holding back tears of a strange mix of shock and grief. Showing great care she proceeded to go through the exercises I was supposed to do, which involved stretching my fingers inward (which would also put stress on the ligaments and muscles, my palm held together with sutures), and told me that I had to do these every two hours. She encouraged me to use the hand regularly (or as regularly as I could manage), including things such as shampooing my hair, brushing my teeth, etc.

So, typing that last post was basically part of my physio. My hand is getting better and the stitches will be coming out in the next week, however I still struggle to look at my palm, the loose skin, and yes, I struggle to stretch and bend my hand for fear that I’m going to rupture something. It’s a body horror thing, basically.

(Me, holding up my Frankenstein hand in a mirror)

That said, I’ve got a new pair of glasses now.

Share
Posted on

A note about the note

I recently added a note to the welcome message at the top of this here blog:

A small request: I don’t have a Patreon, and I’m not interested in placing ads here, so ultimately whatever time I spend posting here I do on my own time and dime. I would be so thankful if you could visit my Goodreads page and, if you like my work, please consider rating it. You don’t have to write a review if that’s not your thing (although that’s mighty appreciated).

Allow me to show a slice of publishing’s sausage factory. I don’t like corporate behemoths for many reasons, but for the purpose of this argument it comes down to anti-competitiveness. And yet, unquestionably, Goodreads equals traffic and visibility for authors. That’s the reality. When people provide positive ratings and/or leave comments, that boosts the odds of more people discovering my work. Goodreads is a nice way to say hey thanks (or whatever your version of that is) if anything here interests you. I’m not going to stop you from trying it out, however I’m also not going to slam you over the head with this sort of request.

There are other ways to get the word out, of course. I mean, while I’m here, there’s nothing more awesome than bumping into someone who’s read one of my books, so feel free to spread the word the ol’ fashioned way: word-of-mouth. 

I also accept that, despite being a bit of an introvert, I could do more to get the word out, like advertising this blog a little more on social media. The irony is that I feel self-conscious driving people toward my blog, this place on the internet where I post things for the general public to see. Anyhoo, that’s me.

Share
Posted on

Yay Surgery

I have a genetic condition, called Dupuytren’s Contracture, or perhaps more cool, Viking Disease. Below, you see two photos. The first is my left hand, unaffected. The second is my right hand, very much affected.

Left hand (normal)
Right hand (bad)

A hallmark of the disease is a thickening of the tissue in the palm of one’s hand (though it also can affect the pads of your feet, which I also have, yet it’s not serious). Normally, as it gets more pronounced (it’s chronic), the thickening of the tissue ends up pulling the fourth and fifth fingers inward, making it eventually difficult to operate equipment (or shake hands!). What makes mine a little more odd is that it’s affecting my thumb, pulling it inward. In the above photo of my right hand, that’s literally as far as I can expand my hand, whereas my left can go much further (not exactly pictured).

And so, at the end of this month I have surgery booked. I trust the surgeon, who specializes in this type of procedure, but it doesn’t take away from the fact that I’m going to be without effective use of my hand for upwards of three months. I have no clue when I’ll be able to comfortably type using my right hand, which means that — you guessed it — when it comes to writing it’s going to be difficult. I might try voice-to-type software (which comes with most laptops and phones), but I’ll be honest: I’m not looking forward to any of it.  I don’t like surgery, period, and I sure as hell don’t like invasive cut-open-your-hand-with-a-small-risk-of-nerve-damage surgery. However, my options are…bleak. The worse this gets, the higher the likelihood the skin around my thumb will contract given there’s less room for it to move, which means permanent contraction.

This all said, I’ve been lucky. The last time I had invasive surgery was the removal of all four of my wisdom teeth when I was at the tender age of eighteen. I’ve never broken any bones (but boy have I been close) and I haven’t had to have anything stitched in this time.

Anyhoo, I hope to keep posting here, but perhaps without the regularity…or perhaps more regularity if I find it keeps me sane. Wish me luck!

Share
Posted on

Book Three Reveal

So, as I mentioned last month two months ago, I had delivered Book Three to my agent. He has since added it to his fall catalogue, in time for his yearly trip to the Frankfurt Book Fair. So, in light of the fact that this is now real and legit, I thought I’d (finally) reveal what Book Three is.

The real title is The Stars Align for Disco Santa.

The synopsis I wrote for the catalogue is as follows:

“Marcus is living the dream. Quite literally, it turns out. One fateful day at his tech startup, he finds a sticky note on his desk containing a cryptic message about his ex-girlfriend that draws him into a labyrinthine quest through chaotic film sets, sailing the violent waves of Lake Ontario on a virus-infected author cruise, destined to land on Monster Island . . . only to discover he’s been working in a stupor as a bookstore employee all this time, under the effects of a powerful medical prototype that has created a life-like inner world for him to experience, a world drawn from his and others’ memories, including his ex-girlfriend, Marta, and his mysterious half-sister, Jocelyn, who happens to be the architect of the experiment.

Evoking the hit Apple TV+ series Severance and reminiscent of Murakami’s The Wind-Up Bird Chronicle, The Stars Align for Disco Santa is a heartfelt satire of misplaced desire and the limits of our control, a fast-paced novel that is as much about family and grief as it is an offbeat joyride through the not-so-funhouse of the psyche, asking the question: What matters?”

The cat is out of the bag now, and I no longer have to use “Book Three” to describe this! I am released!

Share
Proudly powered by WordPress