Returning

Although this will go down as a formative, self-defining year, one of my great frustrations of 2009 is the inability to find the time and/or energy to collect, polish, publish all of the things, happenings, and concepts that come across my path – not even a healthy fraction. I’ve had more success capturing visuals but that’s due to being in the right place/time with a cellphone camera rather than wilfully executing a deliberate agenda.

Work is going like gangbusters, which I am thankful for, the novel is improving with every moment I spend revising it (helps that people actually want to read it), and most recently/surprisingly I have become a homeowner. Just two days ago I was offered a part-time teaching position from a respectable college for a respectable film/TV program.

And yet, at risk of portraying myself as spoilt (or tetched), it seems as if it’s not enough. I feel there is so much going on that I want to grab hold of: the recent (Twitter-inspired) trend of authors turning around and publicly accusing peers of personal attacks when in fact they are just doing their jobs (eg. book reviews), the aesthetics of stereoscopic imagery (that’s 3D for you junior rangers), and the way in which the world unravels and combines at the same moment in time like a Möbius strip, and what about the Perimeter Institute for Theoretical Physics in Waterloo…?

It’s too much for me. Everything: life, art, work… I hit the mattress every night and practically pass out. I used to read… I read War & (f’ing) Peace in the time between laying down and actually sleeping. Luxury! says the current me. Mind you, he gets more sleep and perhaps has a better grasp on the whole “early to bed, early to rise” thing. Maybe I shouldn’t be visualizing the voice of “current me” as being spoken in the harsh brogue of a Scottish authoritarian.

Things felt as if they were falling apart in the spring, like when the aperture ring on my Zorki-4 came loose, right in the middle of shooting some nice “golden hour” shots on Dundas West (just south of Kensington Market) after a fallow 35mm winter. Little could I guess that within a few months I’d be living in a house just five minutes north of where I took these photos. Thankfully, most of them came out fine. Perhaps it was all an elaborate metaphor for being patient, for trying hard to see the forest rather than scrutinize the pines, the mouths of gift horses, etc.

This may all be true, if terribly clichéd. And who would give a horse as a gift in the first place?

This is not a lengthy letdown friends, as if to say that this blog has served its purpose and is to be cast onto the great cyber-somethingsomething where cyber-things are cast and probably set on fire. No, I will not be taking this blog on a walk into the woods, with Daddy and his shotgun. I’m just reaching a threshold where life is requiring more concentration and energy, leading me to ask (hello, rhetorical!) how imaginary magnitude can adapt to suit these changes without looking like an outmoded vehicle or an abandoned hobby (or both). Yes, as I said, rhetorical. But since when has rhetorical ever been a particularly devastating accusation?

Rhetoric is just a temporary building material, made up of the same stuff that kludges are moulded out of. Hope (if not faith), led by patience. That word again: patience. I think I met you somewhere, at a bar maybe, when I was younger and looking for your type. It is true that rhetoric cannot keep a tower standing, but it can inspire the building of towers.

Where am I going with this…right: things are odd, and unbalanced, and it all points to a giant (fictional) neon sign blinking just above my head, big-city halo-like, which says: TRANSITIONAL PERIOD OF ADJUSTMENT. Fair enough (if not sexy).

I suppose I am writing this to say that I’m here for you, but not in the way that I was, which is not to say that I am not still here. My focus is changing, not changing for change’s sake but fermenting into something more stable and powerful. I guess, if I may go back and answer an earlier question, the reason why I am not as prolific here as before is that – now that I am slipping into a new stream of life – my energy must be treated as a finite commodity. Perhaps this, for now, is “success”, and I’m just looking at it like a paleontologist holding a magnifying glass against a piece of the Arctic ice shelf, unsure of what is before him.

Tell you what: when I find out, I’ll let you know. The long and short of it is that I’m still here, but here may be changing to suit my needs. We’ll see. We.

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House

The following tale could be told, all story elements considered, over the course of an hour. I shall, for sake of blog aesthetics, keep it brief.

Ingrid and I decided not too long ago that it was time to look for a house. We went through the movements – contacted a mortgage broker, then contacted a real estate agent – and found ourselves seriously looking at houses. As in, “come to the house for 2pm and have a look”.

You learn very quickly what it is that you want, by virtue of what you don’t like: suspicious patch jobs, poorly graded foundations, murky unfinished basements. Then, of course, comes price. Finding a house – a good house – in downtown Toronto for a decent price is difficult. All the talk in the media about flailing real estate markets may be correct on the whole, but I can tell you from experience that downtown Toronto prices are still inflated (or, at the very least, stuck at pre-recession-2008 prices).

Ingrid then left for a week’s vacation to see a friend (and sometimes-bandmate of mine) in London, England. Two days after she left, I receive a house listing via email from our real estate agent – look at this, she says, it’s perfect for you two. I was afraid of this; I lived in terror that this would happen – that, while Ingrid was away, I would find a house and (because the downtown buyers’ market is still strong) would need to make a quick decision as to whether or not to put in an offer. I saw the place on Friday (same day I received the email) and needed to have an answer for Sunday. Nice house. Nice owners. Great neighbourhood. Good price, considering house, owners, and neighbourhood.

Long story short, I bought a house that Sunday which Ingrid has never seen, save for photos and descriptions sent via email. I am currently going through a swirling mass of elation, buyer’s remorse, stress, and raw, drug-like excitement. I swear, my life mirrors B-movies and 80s TV shows sometimes.

Thankfully, she lands in Toronto tomorrow, so I will not be the only one trying to get a handle on this. I cannot even imagine – on her end – how surreal an experience this must’ve been.

I also don’t want to see my phone bill.

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Repeat after me:


there is no such thing


as mind control.

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Images

I think images are worth repeating

images repeated from a painting

Images taken from a painting

from a photo worth re-seeing

I love images worth repeating

project them upon the ceiling

Multiply them with silk screening

see them with a different feeling

– from Images, lyrics by Lou Reed

Every May in Toronto there is what is called CONTACT. It is a photography showcase. What makes it unique is that, rather than two or three galleries being the centre of interest, the photographs are integrated into (and across) the city. Storefronts bear photographs, abandoned buildings bear them, you see them inside bars and cafés. Go along the Junction and you can’t sit down without seeing signs pointing into stores, saying “Temporary Gallery”.

This integration was quite stunning a couple of years ago; someone got permission to have their photographs – printed on clear plastic film – adorn the glass-paned bus shelters along Queen West. Each one responded to each other and the environment. It was thought-out. Choreographed, if you will. It was, photography or no photography, an art installation.

This year I find myself wishing CONTACT would end (if not May). Though I have not seen (what I can only assume is) the A-grade stuff in the chosen galleries, I have to say that I’m going to scream if I have to walk past many more of them. There is no order. Just image, after image, after image. Just images. Rectangular submissions without point, intent, self-awareness.

I am surrounded by photos, everywhere, at a point where I am going through a photographic/existential crisis. The film vs. digital divide has divided me, particularly since my 35mm lens is giving me problems (I sooo don’t want to get out the jeweller’s screwdriver kit). Meanwhile, I’m having great fun (at low resolution) with my BlackBerry’s camera – it allows me to do so much I wish my manual film-camera could do: being spontaneous without lugging a 2lb Soviet brick. Having a preview window is also a great plus. In the end, however, the resolution isn’t good and the colour is often skewed blue/cyan (meaning I often have to import the photo onto my laptop and futz w/ Photoshop before I can upload it).

Just before this all came about, things were quite different. I had joined a local, well-respected photography collective and was expecting a medium format camera to be sent from an eBay seller. My photographic future appeared, allow me this, picture-perfect. In short, the camera never worked, the seller was less than useless in helping the situation, and it simply can’t be fixed locally. Add to this my affair with a shallow cameraphone, my 35mm lens issue, and said well-respected photography collective annoying me with “bulk” emails (filled with both utterly useless and useful information without care for clear formatting). Add CONTACT and stir, liberally.

In short, it has all forced me to face a philosophical and practical dilemma which I never really thought I’d need to face: why do I take pictures? What am I taking pictures of? What is the eye behind the viewfinder? Is it a diary? Is it journalism? How seriously are you going to take this? Professional-seriously or I’m-just-fucking-around-and-don’t-want-to-think-about-it-seriously?

Thus I find myself subconsciously referring to a song from Songs For Drella, a dedication to Andy Warhol by Lou Reed and John Cale. It spins like a mantra, like a whirling dervish, and I stare intently at it hoping that I’ll see the meaning in its elusive centre.

I’m no urban idiot savant

spewing paint without any order

I’m no sphinx, no mystery enigma

what I paint is very ordinary

I don’t think I’m old or modern

I don’t think I think I’m thinking

It doesn’t matter what I’m thinking

It’s the images that are worth repeating

Ah, repeating, images

Images

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Mobile: Dispatch #1

Dispatch…

1.​ to send off or away with speed, as a messenger, telegram, body of troops, etc.

2.​ to dismiss (a person), as after an audience.

3.​ to put to death; kill

Dispatch from the 501 Queen streetcar. Thoughts dispatched, sent like troops via cellphone: instant, unilateral.

This is not a dialogue.

Dispatch. Done with; I am finished incubating this thought. I am done. It has been sent in contravention of MacLuhan, without a message.

Message sent.

[Sent via BlackBerry]

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Master: “May the wind always be behind your back. “

Student: “What, and fuck up my hair?”

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