Radioland: Cover Reveal and Pre-Order!

Hello all,

It’s been a time-and-a-half to get to this point, so it’s with a mixture of relief and exhaustion that I’m able to share the cover for my next novel, Radioland.

book cover for Radioland, my next novel

Nice, eh? The cover is by designer extraordinaire Ingrid Paulson.

This book has taken a lot work, and I can’t wait for you all to read it. Here’s another thing: it’s now available for pre-order, which means that you can order it now, and when it’s released (currently looking like October) it will get shipped to you ASAP then. Presales are also cool b/c they can build interest from stores, retailers, etc, so there’s that too. I trust you to do the right thing.

You can read more about Radioland on the publisher’s site (where you can also pre-order it): Wolsak & Wynn

You can also bug your local independent bookstore or local library to order it for you.

You can also pre-order it from these folks, too:

Amazon

Chapters/Indigo

Barnes & Noble

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May Update

Hi all,

I’ve needed time away from here, for a variety of work-related and personal reasons. I’m going to be back with a vengeance as I start ramping up promotion of Radioland, but until then, please enjoy the following…

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Running

From my mid-20s until my mid-30s I played recreational soccer with friends. it’s a game I played as a kid, but because my family moved a lot, there wasn’t a lot of experience with it until a friend from college suggested we put together a pickup team, with stragglers from school, work, and wherever. It’s a sport that I adore playing, and could easily play every day of my life. It is not, however, a sport that is everlasting for everyone.

First came those of us with pre-existing injuries. One regular, Jason, who was a new father, admitted that he wanted to spend what was left of his deteriorating ankle (hello, soccer) playing with his son, and not with a bunch of strangers on dodgy community fields. Can’t blame him. The second wave, perhaps the most widely experienced, came when we entered our 30s; people settled down, got married, streamlined their careers, started families, bought houses. That nearly did it. I was still organizing pickup soccer past my mid-30s with a ragtag membership of acquaintances and friends-of-friends. Injuries happened. I sprained my ankle something fierce, which meant there was no one to organize the games while I was in rehab; another of us, Erik, received a concussion due to an accidental running-into with another player.

By the age of 40 everything had changed. The only soccer to be had was through privately run recreational sports organizations, which can be fun in terms of meeting new people, but dear god let me tell you this: no one wants to play a soccer match at 10pm on a Sunday night.

I turned to running, as I missed the workout. I bought an introductory pair of running shoes and started by going around a few blocks of where I lived. I remember sitting on the front steps of my house, sweating and heaving, and having our neighbour, Mrs. Fu, look at me and comment “If you did that more often you probably wouldn’t be so tired.” Thanks. I measured my distance first in city blocks. And, gradually, I measured it in kilometres. I remember feeling that 2 kilometres was ridiculously long; as well, the challenge of what goes on in your head when you’re running: the anxious thoughts about whether I could finish what I started.

Everything changed once I was able to get to 5k.

But first, let me make something clear: I’m not into gadgets, I don’t wear headphones, I don’t bother with biofeedback gizmos on my wrist. I look at my analog watch when I start, and then look at it when I’m done. I measure the distances of my runs by using Google Maps on my laptop. When I tell some people this they look at me as if I was talking about living in a shed without an outhouse. For me, there is an experiential quality about running: I get to see, hear, smell, feel the world around me — good and bad. The last thing I need is to be listening to a podcast about unsolved murders.

It took me at least 2 years to get to 5k, and I should say that I wasn’t on any sort of schedule to do so. I just listened to my body, and pushed when I thought I was ready, not unlike how someone decides to add another 10lbs to their squat bar at the gym. The increments can take months, and the nice thing about starting out running is that you’re not really competing with anyone (yet), so there’s no pressure to “achieve” much. Once I hit 5k, I was able to get to 10k within a few months. And once I hit 10k it was like standing on a fucking mountaintop.

This is a good juncture to mention that not everyone, younger or older, can do this. Running can tax your body in ways that are not always healthy. And not everyone’s bodies are able to be pushed hard. Some people’s bodies are not able to be pushed, period. I mention this because I would hate for someone to read this and feel that, because they aren’t able to run, that this makes their experience of life any less. I’m just using my legs because I got ’em, and they work, for now. Running is also easier for white people than it is for racialized people; and it’s easier for men than it is for women. And by easier I mean you are less likely to be physically or sexually targeted. In other words, I’m writing this from a place of privilege.

I started joining races in 2015. The psychological complexity of being in a corral of other runners is fraught. I find the complexity of running in any sort of competitive context to be fascinating: watching your pace, staying within respectful distance of others, passing and being passed by others, not getting freaked out when you think you’ve hit the 3k mark only to pass a sign saying 2k; oh yeah, and not breathing like you’re being chased by a dog. I’ve done 10k, 8k, 5k, and a half marathon (which I did, kinda stupidly, only ten days after a cyclist collided into me and fractured a few ribs).

Running, for me, is a through line to body awareness. I don’t feel like a brain floating in a jar when I’m running. I can audit my body when I’m running, interrogating what it is that’s feeling tired if I’m worriedI can’t finish. I get to experience the outdoor world, and be part of it in an intense way that can sometimes feel profound. I can be alone with my thoughts. It can also be a way to set precedents for working with self-doubt (hello, half marathon). To be frank there’s also some gross aspects to the body awareness part; for example, learning to predict your bowel movements after eating a meal so that you aren’t finding yourself experiencing GI pain in the middle of your race. And I won’t get into all the bloody mess that happens with blisters on your feet.

When I bought my first pair of “I’m taking this seriously” running shoes at a local shop, I mentioned to the owner how I used to play soccer but had no one to play with anymore, thus my interest in running. He told me he had heard that a lot from other soccer veterans, and in that moment I felt heard and seen (though I realized after it was also saying good-bye to soccer in many ways). It wasn’t a big gesture he made, and while I wouldn’t say I felt part of a club (not that I would want to be in one), nonetheless I felt part of a kinship. I’m 51 years old now, and I’m faster than I was when I was 45; I push myself, and yet I also keep myself from pushing so hard that I endanger my body from being able to meet day-to-day needs. There is a quotidian aspect to body awareness that comes with running that I deeply appreciate: knowing when to push, knowing when to give other people space, knowing when to back off, and knowing when to give everything you’ve got in your engine in the dying moments when you see the finish line.

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Another essay on essays

Since my last post’s featured essay was a little on the theoretical side, I thought I would share another critical piece on the contemporary essay, albeit one that will perhaps feel more grounded and less equivocal than Mitch Therieau’s. I happened upon this one courtesy of local-ish author, Nathan Whitlock.

In this piece for The Drift, Jackson Arn takes aim at Anchor Books’ publication of The Contemporary American Essay, stares upon its entrails, and tells us (not unconvincingly) about what’s wrong with the state of the contemporary essay. There’s a lot here I agree with, with some of the preciousness (and vagueness) of the current style taken to task.

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Something to read (February 2022 edition)

I’ve been thinking a lot about this piece by Mitch Therieau for the Chicago Review, called “Getting Personal”. It’s essentially a state-of-the-nation on the personal-critical essay, surveying where we’ve come since the latter part of the 20th century (starting with New Journalism) and bringing the reader to what might be termed “personal criticism”. Therieau’s piece defies easy summation (as you will see below), which is sort of the point, in a meta (though not conceited) way. Is there a crisis in the personal-critical essay? Yes, but it has less to do with the dominant style, which is ultimately downstream from the demands of the marketplace.

Along the way, Therieau makes use of indirect references to psychoanalysis, Marxism (neither of those in an overbearing way), feminist theory, as well as an overarching attempt to define where we’re at, which, to clumsily summarize, seems to be (here we go…) a pyretic hammering away with personal anecdote as a mimetic tool that risks exploiting the writer even though we know full-well that personal experience can only truly be secondary (and thus filtered) but what the hell let’s go out with a blaze of glory.

Anyways, it’s very good.

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Glenn Branca

I just discovered Glenn Branca. I don’t actually remember how this came about, but it was late last week that I tripped over him, perhaps as part of a randomized Spotify playlist or some post-rock/Minimalist rabbit hole I was chasing. [edit: what’s odd is that I couldn’t have discovered him on Spotify because what I’d first heard was a track from his tremendous early album The Ascension which doesn’t exist on Spotify; a bit of a mystery, I admit.]

It’s like both barrels of a shotgun going off. The first barrel fires and I’m like Whoa — what’s this? And all I want to do is dig further and research and figure out what the deal is with his music. The second barrel fires, and rather than reactive it’s reflective and I suddenly realize that what I’m hearing here, recorded many years earlier, was the essence of the calamitous and shambolic guitar orchestrations I was eagerly intrigued with from the generation of Montreal bands (usually on the Constellation label) I discovered in my 30s, namely Godspeed You Black Emperor, Silver Mt. Zion, and (to a lesser degree) Arcade Fire.

I found myself both thankful to have discovered his music and regretful that I didn’t discover him back in my late teens where for a while I was specifically searching for someone who might elevate the guitar to the heights of symphonic performance. Needless to say I’m mainlining pretty much everything I can listen to.

There’s a very thorough and well-reflected piece on Branca here, and I’m thankful that there are people out there sharing reflections like this.

Enjoy.

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For New Visitors…

Welcome to my blog, where I write about writing, with excessive swooning over music and dashes of media marginalia. You can read more about me, etc., here.

For those who are new to the site, my latest novel is Radioland (you can read more about it on my author page along with my previous book, The Society of Experience, along with other works).

A small request: I don’t have a Patreon, and I’m not interested in placing ads here, so ultimately whatever time I spend posting here I do on my own time and dime. I would be so thankful if you would consider buying either of my novels, which you can do here. Want to really make my day? Request your local library to order copies! Or you can visit my Goodreads page and consider rating them. You don’t have to write a review if that’s not your thing (although that’s mighty appreciated).

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