Arguments with a Musician

There’s a musician I follow on Facebook who is driving me nuts, but I don’t know whether what is bugging me about them has more to do with me than them.

I worked with them from time to time back when I was in the film/TV industry, since they worked as both a score composer and session musician. They’ve had a long and far-ranging career in music — period — let alone the Canadian music scene. Their stories (and friends’ stories) are typically epic to read as they drop references to Leonard Cohen and Ray Charles. It’s helped, too, that they were a consummate professional, and rarely overbearing (considering the twin music/TV industry connections I mean this as a compliment).

Despite being an icon and pillar of the Toronto music scene, like everyone, they were affected by COVID last year. The doors closed not just on a handful of gigs (live and recorded), but all of them in one fell swoop. And within a few months they began posting updates decrying the dire situation musicians were in, along with anti-government diatribes. Now, here’s the thing: I don’t blame anyone in their industry — pillar or acolyte — wanting to express their frustration publicly with the lockdown conditions (for anyone reading this outside of Toronto, there hasn’t been live music or theatre performances for over 14 months). I especially understand anyone wanting to criticize our provincial government’s criminal negligence during this time. They’re posts could also be petty, seeming to express more disappointment about they’re lost prospects than, say, the thousands of others out of work, but I told myself: it’s a pandemic, how about we not hold people to too high a standard?

But something bothered me, particularly when the complaining didn’t subside and began to feel like whining. In other words, another Boomer with a swimming pool in their backyard shaking their fist at the sky when inconvenienced. What bothered me was that here was this person, as mentioned, a pillar. This person has a street named after them. Shouldn’t that sort of prestige, I asked myself, not come with any sense of responsibility toward a role of leadership? A sense of indebtedness to those less fortunate in their trade, to the degree they might realize that stomping their shoes on the ground wasn’t just a bad look, it was a missed opportunity for advocacy.

It reminded me of so many people in the film/TV industry who ground their teeth over any missed opportunity, taking like a mortal blow to their ego what people like myself had to endure on a regular basis just to land a gig that paid decently.

This person disappointed me, and I feel that there’s some of my own shit in that. I had few if no role models during those 20 years, and those who came closest could still say or do hurtful things, often because of their inflated sense of importance, or plain ol’ toxic masculinity (which ran from hot and cold taps back then). I don’t write about the industry very often because my relationship with it is bittersweet; there was a shit load of misogyny and general bad behaviour, which makes writing about it that much more difficult.

I would love nothing more than for this person on Facebook to stand taller, to look beyond their four-block radius, to think what might encourage or inspire others, rather than posting things like “TOO MUCH BIG-GOVERNMENT!”. It saddens me when people of a particular generation who were entitled to many more advantages than subsequent generations can’t see beyond their immediate domain. Worse still, when brought down a level or two from their prestige, appearing aggrieved.

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Social Media

In November of last year I decided to walk away from Twitter. There were a lot of things about it that were bugging me and, without making a big to-do, I logged off and deleted my browser and app shortcuts. I have not been back. Perhaps I will at some point.

Why did I leave? For a number of reasons that accumulated over time. Here’s an incomplete list, in no particular order:

  • people complaining about things outside of their control
  • writers sniping other writers
  • those wonderful people who speak as if they are in fact camp counsellors, on a pulpit, which is to say with the sort of blinkered condescension that makes my eyes water

Okay, so it’s a little more complicated.

A major attraction of social media is the lure of transparency. And there is a ridiculous amount of transparency. You have access to both the minuscule, quotidian drip-drops of individual human life but also world events happening in real time (KOBE BRYANT DEAD alongside 20% OFF SPORT JACKETS). Society has never before had this combination of immediacy and wide signal breadth. The volume of information is incredible, which also makes the proffering of forfeited information or divisive info-blasting all the more possible (and damaging).

In Yevgney Zamyatin’s novel We (which predated Orwell’s 1984), people under a totalitarian regime live in glass-walled apartment buildings, and thus, with their every action on display they (we) monitor and police themselves. The same can be made of Twitter and Instagram, where our thoughts, diatribes, party pics, and ever-present selfies are sent instantly to a potential audience of thousands.

I cannot imagine my 70s childhood under this sort of extreme transparency. What would the assassination of Anwar Sadat, or the Chilean coup d’ètat be like through the intense and unblinking lens of our current media landscape? Sure, we can look back and talk about things like cultural imperialism but how would those events have been exploited and plundered by the scandalously invested corporate media interests we have today? I cannot imagine what the early 80s, when I was entering puberty, would’ve been like, seeing the depressingly real possibility of thermonuclear war overshadowing our lives. I can imagine anxiety and depression on a level beyond what I already experienced. I can imagine suicide.

And then there is the interpersonal angle. As a therapist I often hear clients frustrated by the sight of friends, enemies, siblings, and exes seemingly having the time. of. their. goddamn. lives. Why? Because social media also acts as a combination hall of mirrors / highlight reel for people who may or may not be who they seem, or events that may or may never have happened in the way we see them. We, the viewer, permanently on the outside, can only guess. And if we are feeling less than confident (or worse, if our self-worth is particularly low) then our imaginations might construe in those fleeting, polished glimpses a dreamworld we aren’t invited into. We feel less, as a result. Our ultimate worth as people feels less because when we see ourselves in the real world, unfiltered, unpolished, not surrounded by laughing BFFs, it can feel as if we missed the boat. A lifeboat. A showboat. We end up feeling intrinsically less in every way. Don’t get me wrong, in client work I can invoke whatever expertise I have and tell someone it’s all a highlight reel, that no one is proudly posting selfies of themselves, alone, watching Dharma and Greg reruns with popcorn dust on their face. But when that person is feeling particularly vulnerable there’s no guarantee how they’ll feel when an acquaintance asks Did you see that video of ______ on Instagram?? and once more they are drawn into that alluring bauble-rich world.

Let’s not even get into how much time in our days are wasted scrolling to check user comments or mainlining “breaking” news updates. Let’s not even get into how populist politicians are exploiting the reactive nature of social media networks in order to sow chaos and divisiveness.

There are legitimate reasons we stick with social media platforms. Despite being seemingly abandoned to Moms and Dads, Facebook manages nonetheless to be an efficient way to organize social events with friends through its messaging app, or to share interesting articles. I’ve personally appreciated being able to follow numerous psychology researchers on Twitter, as well as musicians I admire. The problem is that each platform’s defects — the targeted bullying, the bots, the account hackers, the sanctimonious calling-out, as examples — are left for us, the users, to deal with and find solutions for.

I would love nothing more than to share news about my next book or short story being published, and to readily engage with readers (and other writers). I would also like to not see people I may know post things that are racist, or, more mundanely, inappropriate for a shared space. And here we come to another problem with social media: it can just as easily reflect and magnify our darkness, our ignorance, as much as it can broadcast our brilliant ideas about the world. I can’t fault the platform architects for that, though it would be disingenuous to suppose they hadn’t factored that bit of behavioural chaos into the algorithm.

I don’t know what to do with this because I don’t have an answer. For the time being I’ve decided to rotate my attention to whatever is least bothersome which also provides the value of communicating with people I know.

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