Interview: The First Thirty, courtesy of Junction Reads

This is super last-minute, and I apologize for the late notice, however tomorrow (!) I’m going to be interviewed live (!) on Instagram. Junction Reads is an established (since 2014) Toronto reading series that brings attention to so many great authors. I’m going to take part in Junction Reads’ cool offshoot, The First Thirty, which is designed around speaking with authors about — you guessed it — how the first thirty pages of their published work came about.

From their website:

Writers know, and readers too, the first pages are the most important in any novel, memoir or story. And I want to talk about it.

The First Thirty is an Instagram Live series where I will meet authors for a quick chat (30 minutes) to talk about writing, and how they shape those first pages to be a warm welcome to the reader; to include the hook that makes a reader want to keep reading, and to give us the characters we either want to love or really hate.

You can hear me talk about my latest novel, Radioland, tomorrow (Monday, May 27th) night @ 7pm EST on Instagram by tuning-in to @junctionreads!

UPDATE: You can watch the interview here. I’m really impressed with the depth of Alison’s questions and if this is the last bit of promotion I do for Radioland then I’m happy to have it be this.

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Author Discussion

I’m not going to claim authorship (*ping*) for the idea — I was inspired by both the original intention of Wolsak & Wynn‘s fall launch, which was an author Q&A, as well as seeing how smaller publishers could combine their authors into a shared launch — but seeing an opportunity, last month I proposed the following idea to my publisher: what if we (myself and A.G. Pasquella, author of Welcome to the Weird America) were to have an author event that wasn’t about readings but rather a conversation with other authors; this allowed me to invite Freehand Books author Emily Saso (her latest book Nine Dash Line is wonderful — I know because I blurbed it) and for A.G. to invite ECW author Terri Favro (whose latest book is The Sisters Sputnik). The idea was for there to be a more relaxed discussion that could be interesting for both readers and writers.

The event went very well — I wish it had actually gone longer to include audience Q&A, but it was getting late, and I should always remind myself that the folks behind the scenes putting this together are working outside of their normal hours and aren’t getting paid for any of this. I think it was a successful experiment and I hope to see more of it in the future.

Please enjoy:

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Radioland Book Launch!

Also coming up in November, if you’re going to be in Toronto on November 2nd, I’m inviting you to the book launch for Radioland. It’s happening at Burdock Brewery, 1184 Bloor St. W (a few steps away from Dufferin subway) and I’ll be joined by fellow authors A.G. Pasquella (launching his novella collection, Welcome to the Weird America) and Amber McMillan (launching her poetry collection This is a Stickup).

The three books that are being launched are showcased.
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Some love for Radioland

As my second novel, RADIOLAND, nears bookshelves (the pub date has slid by about a week — it was supposed to be the 11th, but more likely the 17th, in case you’re waiting for yours) it’s been nice to see word get out. NO I’M NOT NERVOUS AT ALL WHY DO YOU ASK?

It was picked as one of CBC Books’ top 40 they’re looking forward to for October.

I just finished an interview with Richard Crouse which will be broadcast across the country — you can hear it this Saturday (it will be archived as a podcast which I will link to later).

The book got a nice shout-out from PinkPlayMags.

 

 

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Radioland: Cover Reveal and Pre-Order!

Hello all,

It’s been a time-and-a-half to get to this point, so it’s with a mixture of relief and exhaustion that I’m able to share the cover for my next novel, Radioland.

book cover for Radioland, my next novel

Nice, eh? The cover is by designer extraordinaire Ingrid Paulson.

This book has taken a lot work, and I can’t wait for you all to read it. Here’s another thing: it’s now available for pre-order, which means that you can order it now, and when it’s released (currently looking like October) it will get shipped to you ASAP then. Presales are also cool b/c they can build interest from stores, retailers, etc, so there’s that too. I trust you to do the right thing.

You can read more about Radioland on the publisher’s site (where you can also pre-order it): Wolsak & Wynn

You can also bug your local independent bookstore or local library to order it for you.

You can also pre-order it from these folks, too:

Amazon

Chapters/Indigo

Barnes & Noble

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Man Alone (Can’t Stop The Fadin’), by Tindersticks

I’m in heavy novel revision mode at the moment. In fact, as I write this I’m at Artscape Gibraltar Point. It’s day 2 for me. Only a handful of artists here, given the lockdown conditions, which, as a writer, I don’t mind at all. I’m here to work. And eat like a 12yr old.

I’m very happy to have happened onto Tindersticks awhile back. This is from their newest:

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December

There’s no way to summarize this year, so I won’t start.

Stripping things down to studs, I’m thankful for my health, no matter that I still sometimes push myself too hard because of stubborn habits; that said, 2020 was largely injury free, which I mostly attribute to taking core exercises seriously. My running times have markedly improved, as well as my ability to be patient with myself (e.g. anxiety about my ability to finish whatever running circuit I’ve chosen, no matter that I almost always finish them). I blame/thank guitar lessons, which have forced me to find patience with myself, that is if I was ever going to continue with them (with thanks to my instructor, Michael, who recognized this and talked me down from getting frustrated with myself on a couple of occasions). I wish the process of being patient was as simple as allowing myself to expect long-term as opposed to short-term results — easy, right? But, with me at least, it can also be a frustration with myself on a deeper level. So, with guitar, to find a way to come to terms with that in an intentional way that incorporates regular practice (which means good days, bad days, ugly days — all of which are ok and inevitable, right?) is a gift and a privilege as much as it is also, in every sense of the word, work. I don’t do gratitude posts, but I am grateful to have had, in this year of years, the ability to pay my bills and still have the time (and ability) to write and, less successfully (at least with fiction) read.

It can be weird to acknowledge one’s growth in a year during which there has been so much death and ignorance, and so much terrible news, while so many of our elected leaders are more focused on the next election rather than the human cost of the pandemic in front of them. I wrote earlier in the year about paying attention to the precedents that the pandemic ushers in, and I feel it’s still important, though increasingly the precedents seem retrograde rather than progressive or humanitarian. All I can do is stay informed and continue to support those who put the the general good before the economy.

2020 made me think closely about volunteering time and money, both of which I did widely, whereas in the past my efforts were typically cause-specific. It made me think about why in the past it’s been easier for me to donate to large, recognized charities which issue me a tax receipt at the end of the year than, say, the GoFundMe drive for something smaller yet no less important (like 1492 Landback Lane) which, because the latter is community driven, stays off the radar of those who would otherwise donate if the same tax relief applied. I understand there are many reasons for this, but 2020 made me want to support local initiatives (involved with food scarcity, shelter, etc), and the advantages of larger/mega charities who can hire PR teams to write altruistic ad copy suddenly seems a baked-in advantage, as the WE scandal showed. In other words, it’s not fair, morally speaking equitable.

I wrote a lot this year, and I managed to land at least two publication deals for short stories. My next novel, Radioland, looks to be finding a home shortly — look for an announcement in January. And yet nearly all of my writing this year has been related to my 3rd novel, which, owing to the pandemic and how it affected as much where as how I wrote, allowed me to get out of my areas of comfort. As a result I ended up writing more, substantially more, in each of my writing sessions (though I still give myself a break if I’m at an impasse and just need to freeform/sketch some stuff). I would love to have a complete(ish) first draft of novel #3 done before I go into heavy revisions on Radioland, but I’m thinking that’s a bit of a pipe dream. We’ll see.

My work as a psychotherapist was exhausting, and yet I probably did some of my best work with clients this year. This as my practice was indirectly affected by the economic effects of the initial lockdown and ensuing health measures. I lost (at least temporarily) a decent chunk of my business. That said, I’m grateful to be able to cover my expenses. Working virtually with clients became more necessary, and while my ability to engage virtually with clients for prolonged hours of the day improved as the weeks proceeded after lockdown, I still feel that in-person talk therapy is the gold standard, albeit one that many aren’t able to partake in at the moment, due to health concerns or financial disruption. And if I read one more Is The Future of Therapy Online? thinkpiece I will put my fist through a wall. In 2020 I increased my involvement in raising awareness of how white psychotherapy in Toronto is, and how it needs to (literally) make room for financially disadvantaged and racialized individuals, so that the BIPOC community may see themselves better reflected when they are seeking help. I wish to push that one harder in 2021.

Oh, and I turned 50. It’s the new 40, apparently. Yes, I would’ve preferred a 50th blow out party at a favourite bar with friends. I still had a grand, if isolated, time in PEC with my partner, Ingrid.

I don’t know who comes to this blog. What I write is diverse, sometimes niche, often somewhat politicized, so I imagine my readership reflects this. Though it may sound odd when applied to any other, I hope you had a steady year, and I hope 2021 gives us the opportunity to be with those we love once we’re all vaccinated.

Be well.

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