The Society of Experience Chosen As Must-Read By Harper’s Bazaar

I cannot believe how the stars aligned for this, but Harper’s Bazaar – a massive, Hearst-owned fashion and lifestyle magazine – put out a list of their Top 15 “must-reads” for the fall of 2015. And I’m #11. Along with Margaret Atwood, Salman Rushdie, Patti Smith, Isabel Allende, David Mitchell, and I’ve lost my mind. It’s the only debut novel on the entire list (and the third Canadian title)!

Link: http://www.harpersbazaar.com/culture/art-books-music/g6211/best-fall-2015-books/

Share

Author Q&A With Open Book: Word On The Street, and Ontario vs Toronto

In anticipation of Word On The Street (September 27th, Harbourfront) and the release of my book, The Society of Experience, I was asked todo a Q&A with Open Book. It was a refreshing exercise, seeing as they were just as interested in Ontario as where I lived, Toronto. The thing is I’m qualified to speak of both: I moved a lot as a kid, from town to town. I’ve only lived in Toronto since 1995 (20yrs this month). It got me thinking about my influences growing up, among other things.

Have a read here: http://www.openbooktoronto.com/news/word_street_interview_series_matt_cahill

 

Share

Book update

My debut novel, The Society of Experience, is a mere month away from being available in print (the exact date, I’m unsure of). I’m supremely excited. I’m particularly pleased with the two endorsements I received:

“Matt Cahill’s debut novel The Society of Experience explores the dangers of magical thinking in a most entertaining way. Both thoughtful and humorous, twisty and fun, this is transporting storytelling (in more ways than one).”
Andrew Pyper, author of The Demonologist and The Damned.

“A swirling confident debut, supported by crisp prose without misstep, and containing many more original ideas than books three times its slender size. Sly and slippery fun – I thought of Ben Marcus and JG Ballard… writers who say don’t worry I know what I’m doing as they break from the pack.”
Tony Burgess, author of Pontypool Changes Everything and The n-Body Problem

I’m going to be presenting The Society of Experience at Toronto’s Word On The Street festival, on September 27th. This year it will be at Harbourfront, which I think is a wonderful new environment for it.

The official launch will be October 8th–details to come. My author site will also have details on this and other works.

Share

Too Much Change

So much has happened…

– sold house (add to this: renovated house)

– bought condo (add to this: mourning house, moving)

– moved psychotherapy practice to newly-leased office (add to this: find office space, renovate, move)

– had my application to the College of Registered Psychotherapists of Ontario accepted

– began intense revision process on novel (coming out in September)

So there you have it. I also hope to have a new short story published around the time my novel comes out, so yeah. All hands on deck at the moment.

I leave you with the cover for my novel, The Society of Experience:

 

Share

Updates

Hello all. It’s been a while. So, what’s new…

1) My psychotherapy site has had a facelift. If you’re looking for a psychotherapist in Toronto, I’m your man. Unless you’re looking for a woman.

2) I have completed my accreditation with TIRP and am now (slowly) preparing to join the College of Registered Psychotherapists of Ontario (CRPO). I am no longer a “Candidate” – yay!

3) My novel has an official title now. It’s called The Society of Experience. For updates, you can go here for now. It’s to be published in the Fall of 2015. It will be published under the recently-launched imprint Buckrider Books (a subsidiary of Wolsak & Wynn).

I’m extremely excited about the upcoming months. I don’t doubt there will be more things to announce. I will also try to come here more often and actually post something other than point-form updates.

 

Share

Book Review: The Therapy Industry, by Paul Moloney

I don’t have a lot of time or head space for reviews of any kind these days, however I try to make an exception for work which deserves attention, if only for sake of better exposure and discussion.

One of these works is the book The Therapy Industry, The Irresistible Rise of the Talking Cure and Why it Doesn’t Work by author Paul Moloney (Pluto Press). I came across this provocative title through Moloney’s recent curation of new book releases on the site New Left Project. What follows is a necessarily compressed review, certainly more so than what you would normally find for this sort of work, and perhaps more succinct than this book deserves.

Let’s stop the bus and draw your attention to the driver. My interest in this book is complex and certainly not unbiased: I’m a relational psychotherapist – it is a career I chose later in life and one whose practice and philosophy I have a deep, evolving respect for. However, increasingly I have found myself dissatisfied with the level of critical discussion about the array of available therapeutic modalities, the politics non-medical practitioners encounter with respect to recognition in an increasingly medicalized notion of mental health, and not least the pecking orders (particularly reinforced by those practitioners who receive provincial health care coverage, those who receive coverage via corporate health benefits plans, and those who receive neither).

I was drawn to this book not only for its stated critical approach but also, perhaps relievedly, that it was written by someone who is a counselling psychologist and lecturer. This is not, in other words, a journalistic view from the outside. Quite selfishly I thus figured that it must have some sort of a happy ending. And, in short, it does, though you need to swallow some hard medicine first.

The gist of The Therapy Industry is that there is a disconnect between the mainstream approach toward treating those with mental health issues and the realities of (at the very least Western) industrialized society which is becoming more and more demanding upon us, economically, socially, and – as a result – psychologically. The system generally available to the public – from awareness campaigns to the attitudes of medical and non-medical practitioners – goes to lengths to make those seeking help feel that the problems they are experiencing are the product of their genes or their own faulty reasoning about the world around them. Or, if the practitioner does recognize that there is a probable cause that is environmental rather than genetic, the prevailing course of treatment is, in essence, mind over matter. According to the book there is, in short, some denial about the more environmental causes in the marked rise of mental health-related issues over the last century. And worse still, if there is clinical – which is to say institutionalized – denial then that doubly disfavours those seeking help. Continue reading “Book Review: The Therapy Industry, by Paul Moloney”

Share

New Author Site

Hello all. In order to promote my upcoming book and to (eventually) be a hub for promoting any published works I do between now and then, I thought it best to have a standalone author site created: mattcahill.ca. This task was handily undertaken by Ingrid Paulson, and it looks great.

Eventually I will start adding pages to the site, to flesh it out (so that it is more than just a page, but an actual “site”).

The question currently stands: what will happen to this here blog? I’m not sure. The more I focus on writing gigs, the less time I have for blogging, and yet – paradoxically – I have more things to blog about because potentially I have more gigs. In other words, there is still a need for the blog, so imagitude will stay where it is and perhaps be linked-to from the author site at some point.

Share

Big News

I’ve been sitting on something pretty big for the last while. Rather than tell you in my own words, I will use one of the rare opportunities in my life where a press release does the talking:

 

 

Wolsak & Wynn senior editor Paul Vermeersch has acquired North American rights to Matt Cahill’s debut novel, Someone Else and You (working title). The story is about a man whose life changes irrevocably when he volunteers to take part in a secret society’s time-travel experiment. Kelvin Kong of The Rights Factory arranged the deal.

 

 

So yes. This. Huge news.

It’s been a very long road, and while it is not yet over (not by many miles more) I’m grateful for the opportunity to have something of mine released into the public. One less writer polishing his stones, wondering whether to keep bothering.

This would not have been possible without representation from The Rights Factory, specifically my agent (extraordinaire) Kelvin Kong. I look forward to working with everyone at Wolsak & Wynn, particularly my editor, Paul Vermeersch.

Onward and upward. Hugely excited.

 

Share

Author Author

I am represented by a literary agency now and, without going into great detail, my novel has undergone some major changes. Mainly structural. The story hasn’t changed, most of the plotting is still intact, no new characters. But some major changes were made and these changes happened very quickly, and as a result I don’t think what I surrendered (because no experienced author would willingly call any work “done”) was the best effort I could have made. And so, when I realized the extent to which the book needed first-aid, I told my agent to hit the brakes – stop distributing the book and ask those publishers who have not yet read it to not, please and thank you.

I’m writing this from the perspective of someone who has just finished, if finished may be used about any art form, a necessary revision. I am relatively new to this – not writing, but revising. There is an art to revision which is as unique as the art of writing itself. This may sound alien to many, but to fellow writers – novelists especially because of the weight of material we are burdened with – this is a necessary conversion: the realization that you cannot know everything, do everything in your first, second, or even seventh revision. And that potentially great ideas not only require blending with the rest of the work, but the time and space to be seen again with fresh eyes and, if need be, changed once again.

When you don’t respect the process – of writing, of revision (because the two are intertwined like the snakes on a caduceus) – you risk damaging your gains. I ended up not happy with what went out under my name and I am not the first nor will I be the last reluctant person to go through this sometimes necessary experience. I have spent the past four months rejigging, reconsidering, reaching deeper, and sometimes just removing clutter. I worked on my laptop, and after that I had the manuscript printed so that I could look at it like a real book, so that I could see what you can’t easily see on a computer screen. I’ve switched and changed, shortened and lengthened, pared-down and elaborated for clarity.

I think it’s ready now. If not “done” then “done enough”. Or, at the very least, I’m done. And, corny and cliché though it may sound, lessons have been learned.

Share