Author Q&A With Open Book: Word On The Street, and Ontario vs Toronto

In anticipation of Word On The Street (September 27th, Harbourfront) and the release of my book, The Society of Experience, I was asked todo a Q&A with Open Book. It was a refreshing exercise, seeing as they were just as interested in Ontario as where I lived, Toronto. The thing is I’m qualified to speak of both: I moved a lot as a kid, from town to town. I’ve only lived in Toronto since 1995 (20yrs this month). It got me thinking about my influences growing up, among other things.

Have a read here: http://www.openbooktoronto.com/news/word_street_interview_series_matt_cahill

 

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Book update

My debut novel, The Society of Experience, is a mere month away from being available in print (the exact date, I’m unsure of). I’m supremely excited. I’m particularly pleased with the two endorsements I received:

“Matt Cahill’s debut novel The Society of Experience explores the dangers of magical thinking in a most entertaining way. Both thoughtful and humorous, twisty and fun, this is transporting storytelling (in more ways than one).”
Andrew Pyper, author of The Demonologist and The Damned.

“A swirling confident debut, supported by crisp prose without misstep, and containing many more original ideas than books three times its slender size. Sly and slippery fun – I thought of Ben Marcus and JG Ballard… writers who say don’t worry I know what I’m doing as they break from the pack.”
Tony Burgess, author of Pontypool Changes Everything and The n-Body Problem

I’m going to be presenting The Society of Experience at Toronto’s Word On The Street festival, on September 27th. This year it will be at Harbourfront, which I think is a wonderful new environment for it.

The official launch will be October 8th–details to come. My author site will also have details on this and other works.

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Too Much Change

So much has happened…

– sold house (add to this: renovated house)

– bought condo (add to this: mourning house, moving)

– moved psychotherapy practice to newly-leased office (add to this: find office space, renovate, move)

– had my application to the College of Registered Psychotherapists of Ontario accepted

– began intense revision process on novel (coming out in September)

So there you have it. I also hope to have a new short story published around the time my novel comes out, so yeah. All hands on deck at the moment.

I leave you with the cover for my novel, The Society of Experience:

 

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Updates

Hello all. It’s been a while. So, what’s new…

1) My psychotherapy site has had a facelift. If you’re looking for a psychotherapist in Toronto, I’m your man. Unless you’re looking for a woman.

2) I have completed my accreditation with TIRP and am now (slowly) preparing to join the College of Registered Psychotherapists of Ontario (CRPO). I am no longer a “Candidate” – yay!

3) My novel has an official title now. It’s called The Society of Experience. For updates, you can go here for now. It’s to be published in the Fall of 2015. It will be published under the recently-launched imprint Buckrider Books (a subsidiary of Wolsak & Wynn).

I’m extremely excited about the upcoming months. I don’t doubt there will be more things to announce. I will also try to come here more often and actually post something other than point-form updates.

 

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Book Review: The Therapy Industry, by Paul Moloney

I don’t have a lot of time or head space for reviews of any kind these days, however I try to make an exception for work which deserves attention, if only for sake of better exposure and discussion.

One of these works is the book The Therapy Industry, The Irresistible Rise of the Talking Cure and Why it Doesn’t Work by author Paul Moloney (Pluto Press). I came across this provocative title through Moloney’s recent curation of new book releases on the site New Left Project. What follows is a necessarily compressed review, certainly more so than what you would normally find for this sort of work, and perhaps more succinct than this book deserves.

Let’s stop the bus and draw your attention to the driver. My interest in this book is complex and certainly not unbiased: I’m a relational psychotherapist – it is a career I chose later in life and one whose practice and philosophy I have a deep, evolving respect for. However, increasingly I have found myself dissatisfied with the level of critical discussion about the array of available therapeutic modalities, the politics non-medical practitioners encounter with respect to recognition in an increasingly medicalized notion of mental health, and not least the pecking orders (particularly reinforced by those practitioners who receive provincial health care coverage, those who receive coverage via corporate health benefits plans, and those who receive neither).

I was drawn to this book not only for its stated critical approach but also, perhaps relievedly, that it was written by someone who is a counselling psychologist and lecturer. This is not, in other words, a journalistic view from the outside. Quite selfishly I thus figured that it must have some sort of a happy ending. And, in short, it does, though you need to swallow some hard medicine first.

The gist of The Therapy Industry is that there is a disconnect between the mainstream approach toward treating those with mental health issues and the realities of (at the very least Western) industrialized society which is becoming more and more demanding upon us, economically, socially, and – as a result – psychologically. The system generally available to the public – from awareness campaigns to the attitudes of medical and non-medical practitioners – goes to lengths to make those seeking help feel that the problems they are experiencing are the product of their genes or their own faulty reasoning about the world around them. Or, if the practitioner does recognize that there is a probable cause that is environmental rather than genetic, the prevailing course of treatment is, in essence, mind over matter. According to the book there is, in short, some denial about the more environmental causes in the marked rise of mental health-related issues over the last century. And worse still, if there is clinical – which is to say institutionalized – denial then that doubly disfavours those seeking help. Continue reading “Book Review: The Therapy Industry, by Paul Moloney”

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So, Another Year (A Needle Pulling Thread)

2013 was good to me, which is not to say that it was without challenges. I suppose it was a cluttered year, and I will take that over barren, even if I’m feeling exhausted.

I had two articles published, on two topics that I took personal interest in: the shape of Kensington Market, and the 10th anniversary of SARS. They both involve Toronto, but aside from that they don’t hold much in common. I took great pride in writing them and each provided healthy challenges for me as a writer.

The biggest news, for me as a writer and an individual, was having my novel picked up by Hamilton publisher, Wolsak & Wynn. Of course, there is a lot of work to be done until its publication date in 2015, but it’s about the biggest milestone for me as a writer that I could have asked for (a big shout-out to my agent, Kelvin Kong, with The Rights Factory).

And yet it was also a year where my psychotherapy practice grew and broadened. This February will mark the completion of two years of private practice and I could not be happier with it, though like starting anything new and independent there are always going to be challenges. I began working with couples in the summer and found myself liking the dynamic very much, though working with the energy in the room can be taxing.

I’m not completely out of the woods with respect to the film industry. I started work on Bruce McDonald’s new feature, Hellions, as a post supervisor/consultant. It’s difficult juggling this type of work with therapy – two different parts of my brain which don’t always play well: the anticipatory, structure-based, logic-seeking left brain vs the open-ended, empathetic, creative right.

I would like to top 2013, but I don’t know if that will happen in 2014. I would certainly like to complete the first draft of my new novel. But it’s a tough nut to crack and doesn’t want to be rushed. My greatest challenge as a writer with respect to new work will be combining the worlds – and words – of therapy and writing: finding a project in which to write from the viewpoint of a therapist. I see this as an inevitability and I would prefer to jump in the pool rather than be pushed. I look forward to the days to come.

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SARS Essay in Torontoist

Torontoist just posted an essay I wrote about this being the 10th anniversary of the SARS breakout in Toronto (which went on to kill 44 people and cost the country $2 billion), and the fact that nothing is being done to commemorate it. That is to say that commemorations are not necessarily celebrations, but can be sober remembrances of mistakes made in our past.

Read it here.

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Big News

I’ve been sitting on something pretty big for the last while. Rather than tell you in my own words, I will use one of the rare opportunities in my life where a press release does the talking:

 

 

Wolsak & Wynn senior editor Paul Vermeersch has acquired North American rights to Matt Cahill’s debut novel, Someone Else and You (working title). The story is about a man whose life changes irrevocably when he volunteers to take part in a secret society’s time-travel experiment. Kelvin Kong of The Rights Factory arranged the deal.

 

 

So yes. This. Huge news.

It’s been a very long road, and while it is not yet over (not by many miles more) I’m grateful for the opportunity to have something of mine released into the public. One less writer polishing his stones, wondering whether to keep bothering.

This would not have been possible without representation from The Rights Factory, specifically my agent (extraordinaire) Kelvin Kong. I look forward to working with everyone at Wolsak & Wynn, particularly my editor, Paul Vermeersch.

Onward and upward. Hugely excited.

 

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Author Author

I am represented by a literary agency now and, without going into great detail, my novel has undergone some major changes. Mainly structural. The story hasn’t changed, most of the plotting is still intact, no new characters. But some major changes were made and these changes happened very quickly, and as a result I don’t think what I surrendered (because no experienced author would willingly call any work “done”) was the best effort I could have made. And so, when I realized the extent to which the book needed first-aid, I told my agent to hit the brakes – stop distributing the book and ask those publishers who have not yet read it to not, please and thank you.

I’m writing this from the perspective of someone who has just finished, if finished may be used about any art form, a necessary revision. I am relatively new to this – not writing, but revising. There is an art to revision which is as unique as the art of writing itself. This may sound alien to many, but to fellow writers – novelists especially because of the weight of material we are burdened with – this is a necessary conversion: the realization that you cannot know everything, do everything in your first, second, or even seventh revision. And that potentially great ideas not only require blending with the rest of the work, but the time and space to be seen again with fresh eyes and, if need be, changed once again.

When you don’t respect the process – of writing, of revision (because the two are intertwined like the snakes on a caduceus) – you risk damaging your gains. I ended up not happy with what went out under my name and I am not the first nor will I be the last reluctant person to go through this sometimes necessary experience. I have spent the past four months rejigging, reconsidering, reaching deeper, and sometimes just removing clutter. I worked on my laptop, and after that I had the manuscript printed so that I could look at it like a real book, so that I could see what you can’t easily see on a computer screen. I’ve switched and changed, shortened and lengthened, pared-down and elaborated for clarity.

I think it’s ready now. If not “done” then “done enough”. Or, at the very least, I’m done. And, corny and cliché though it may sound, lessons have been learned.

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Sales Pitch

Not that I am hoping for this to be the only entry this year, but having a literary agent pitch my novel, invoking a stylistic similarity to Philip K. Dick, is certainly making the top of the highlight reel of 2012.

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