The Hammer (pt. 1)

When I rented a car and went to Brantford/Onondaga to do some reminiscing and photo-taking, I knew that Hamilton was also, ultimately, on my to-do list.

The aim of these trips is not preconceived. This makes it doubly hard to explain to others (friends, strangers, and loved ones) what exactly the hell I’m planning to do. “Taking pictures and stuff.” I’ll say – that’s certainly no lie, but of course there’s more to it. The thing about Zen is this: the second you begin to describe it, it disappears. And so – Art & Zen being the same – there’s always a scaffolding I build around my explanation for these trips. It’s the same scaffolding I use when I go out writing, or to take photos locally: a vague (yet not untrue) reason which allows me to unspoil the inspiration (which itself needs to be vague) while preventing others from thinking I’ve lost my mind. I’m not uncomplicated.

Hamilton, being a place of the past for me, exists in patches of haze – this isn’t to say I did a lot of drinking or drugs when it was a destination, and yet it seems that way: murky. Of course, a good chunk of that time is best forgotten now. The downtown seems more hollowed-out than it did before, with the exception of Gore Park which to this day reminds me what a good idea it is to have spacious downtown promenades.

It was a precursory destination. First, with an ill-fated relationship which spawned a series of bad decisions which I owe to naivety. I am not alone in stating that I owe many mistakes in my 20s to naivety. It all culminated in a brief tenancy at an old apartment building north of St. Joseph’s hospital. In so many ways, it was one of the more excruciating periods in my life – I think the haze I mentioned previously is partially there to protect me from looking too closely at things like this.

The second identity Hamilton had for me happened a few years later when, staying with relatives in Burlington while I studied at college, it became a “big city” to escape to. Toronto was bigger, of course, but it was too far to drive to just to have kicks. Hamilton was perfect and in the early 90s had a great nighttime scene in and around Hess Village. My hang-out was the Bauhaus Café, which sadly (though not surprisingly) no longer exists.

Walking around there now, it seems as if parts of it just gave up. People don’t even want to advertise on billboards. To be fair, I shouldn’t make any judgments without going there again, but on a Friday night – I’m afraid however that these judgments will only skew worse if I do.

Perhaps I have a better understanding of the haze now: it’s there to protect my feelings, it’s there to protect the city from the cold light of an unsympathetic audience.

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2009: This is Naught a Love Song

It wasn’t even close to New Year’s Eve before Ingrid and I were swearing that 2009 could not end fast enough, like a vampire-queen freshly staked that we wished would stop spitting blood and just fucking die already.

It’s not that it was such a *bad* year, so much as it was filled with such a dense and dramatic amount of events that by early December I simply had no room left in my head; my brain’s capacity was supersaturated with fragments of information without the ability to reflect anymore (reflection, I feel, being the way we digest information, the same way our stomach digests food in order to allow more food to come later). I tell you: such a state of mind is not healthy.

Among the highlights of 2009, this last year of the naughts: I completed work on two feature films, one MoW (movie-of-the-week), bought a house (without Ingrid being in the same country at the time!), moved into said house, started teaching post-graduate studies in film post production, and completed a major revision on my novel (which I’m becoming very happy with). Lastly, we managed to insert a three-country whirlwind vacation after Christmas. I must say, there was some cruel justice in having abandoned the country while the decade died. And what a decade it was…

Our friend, Shannon, who we met in London, upon hearing how things had gone for us in 2009, showed no surprise. “It’s the Year of the Ox.” she said “I can’t wait for it to end!”. According to Shannon, Years of the Ox are denoted by their eschewing of joy and relaxation for the throes of head-down labour and development. I’m not exactly sure how accurate this is – was it this bad twelve years ago, the last time there was an Oxen year? I ask myself – but one thing I do know: I certainly don’t want to go through another Year of the Ox for another twelve years.

And so, to my readers, and to those just visiting, when I say “Happy 2010” I really mean it. The Oxen year is not quite over yet – the Chinese New Year is not until February 14th (at which point, 2010 will be the Year of the Tiger). I wish you all the best for the coming year, and offer the following synopsis, taken from a website who took it from a website, who took it from another website (so it must be true):

Drama, intensity, change and travel will be the keywords for 2010. Unfortunately, world conflicts and disasters tend to feature during Tiger years also, so it won’t be a dull 12 months for anyone. The Year of the Tiger will bring far reaching changes for everyone. New inventions and incredible technological advances have a good chance of occurring. For all of the Chinese horoscope signs, this year is one to be active – seizing opportunities and making the most of our personal and very individual talents. Everything happens quickly and dramatically in a Tiger year – blink and you could miss an important chance of a lifetime!

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Niagara Falls

From the Wikipedia entry “Slowly I Turned“:

The routine has two performers pretending to meet for the first time, with one of them becoming highly agitated over the utterance of particular words. Names and cities (such as Niagara Falls) have been used as the trigger, which then send the unbalanced person into a state of mania; the implication is that the words have an unpleasant association in the character’s past. While the other performer merely acts bewildered, the crazed actor relives the incident, uttering the words, “Slowly I turned…step by step…inch by inch…,” as he approaches the stunned onlooker. Reacting as if this stranger is the object of his rage, the angry actor begins hitting or strangling him, until the screams of the victim shake him out of his delusion. The actor then apologizes, admitting his irrational reaction to the mention of those certain words. This follows with the victim innocently repeating the words, sparking the insane reaction all over again. This pattern is repeated in various forms, sometimes with the entrance of a third actor, uninformed as to the situation. This third person predictably ends up mentioning the words and setting off the manic performer, but with the twist that the second actor, not this new third person, is still the recipient of the violence.

I spent about five years, between my late-teens and early twenties, working in photo labs. It was the easiest thing for me to do, seeing as I had a natural disposition toward photography. I spent many hundreds and hundreds (I suppose I could just write “thousands”, but then that seems like such an exaggeration) of hours printing other people’s photographs, correcting the colour, correcting the density – even occasionally eliminating hairs or scratches on the negatives. All said, it was a thankless job, but not a job one does in the first place if one is seeking thanks.

It was while I held this position that I read (or heard – I am convinced the toxic chemicals eroded my memories from those days) that the most photographed place on the earth was not the pyramids of Egypt, not the Great Wall of China, nor was it the Grand Canyon.

It was Niagara Falls, Canada.

And you know what? That person was absolutely right, from my perspective at least. I have seen so many photographs of Niagara Falls, from so many angles, from so many different types of cameras, lenses, and film stocks that when Ingrid and I went there during the summer, it felt as if I were entering some sort of nightmare/dream world. I hadn’t seen the Falls since I was a kid (with the exception of seeing them from the American side once – not impressive at all) and yet I was intimately familiar with every inch of it. It is the closest thing to recreating deja vu that one can do, I suppose.

Needless to say, I took photos. What else are you going to do? It’s a giant, massively awe-inspiring natural waterfall. And when I got my slides back, I looked at them and groaned – it didn’t matter how good they were, how picture-postcard they were. I’d seen them all before. From every angle, every camera, every lens, and every film stock.

I eventually found one photo which wasn’t so eerily pre-reminiscent: a stranger on an observation deck, staring out (not down) philosophically, as if Camus were alive and in Niagara Falls no less. It is through this photo that I found it possible to combat the madness of my previous occupation: to find the angle no one else has bothered to capture. I do not consider it an exceptional photograph from a technical point of view, but for personal reasons it is a healthy way to re-pave my perception of a subject so totally saturated by the second-hand experience of first-hand observation.

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