On Self-Censorship As A Canadian Preoccupation

There are always going to be thin-skinned readers, but writers who self-censor for fear of offending said readers suck more. #canada

This was going to be a missive sent over Twitter. Then I thought, what if someone replies to me, calling me out? What if someone says:

@m_cahill Care to name names, or are you AFRAID OF OFFENDING SOMEONE? #jerk

Allow me to elaborate (and do it in an environment I can totally control without distorting my message due to a 140-character limit).

Two articles in the last week were sources of outrage among certain parts of the online world, particularly on Twitter, where it’s particularly easy to express outrage*. The first was Ian Brown’s essay on men gazing at women in the Globe & Mail. It elicited a lot of criticism, from feminists who were offended by the objectification of women to people who simply construed Brown’s perspective as creepy in a Lolita sorta way.

My partner and I began talking about some of the anger we saw in our respective Internet social circles. I felt a lot of it was overblown. Predictable, actually (sadly). And yet I agreed with Ingrid, who reminded me that there is something to be said about “the gaze” which women historically have been on the other end of. In other words, it was a complex issue. All said, something I found admirable in Brown’s piece (and his writing in general**) was his forthrightness. Unlike so many writers there was no effort made to allay the concerns of the entire reading public that he wasn’t trying to offend anyone.

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A Better Person

Before I had an office, and well-before I started seeing clients, I was with my wife and friends at a busy restaurant. We were talking over the enjoyable izakaya ruckus and, as was the case with friends who didn’t know at the time, I mentioned how I was switching careers, to be a psychotherapist.

Telling someone, whether you know them well or not at all, that you are going to be a psychotherapist is like telling someone that you’ve written a novel (*ahem*). They inevitably want to know more, and that inquisitiveness often leads to questions that, at least for the first few months, you struggle to form into sound-bite-sized snippets.

I think I was able to describe the hows and whys and whats effectively, and was about to reward myself with a slug from my porcelain choko of sake when I was asked: “Do you feel pressure to be a better person?

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The Ides of March

Basement: mostly done.

We pushed ourselves hard to get everything (doors, baseboards, furniture) cut/fitted/assembled. The result is beautiful. The space is marvellous. I could not have asked for a more comfortable working environment.

Novel: revised, but sifting through new notes.

I spent two months grinding through a very large, complex recommendation on my novel – that it be written in 1st-person rather than 3rd-person. A tall order. And yet, I went through with it because it made perfect sense. The narrative style I was using was such an intimate sounding 3rd-person that switching to 1st-person felt more natural – the fact that I was using 1st-person for the follow-up novel I was already working on also helped.

The new notes only regard the first part of the book – not a huge deal, and yet I will admit that I’m tired of going back to this beast. I tell myself: if it makes it better, if it improves my understanding of storytelling, if it’s still my book in the end – then it is worth it.

Film job: crazy.

Dealing with battlefields in Los Angeles, Toronto, and Seoul, it’s not hard to imagine that I’m getting emails 24-hours a day. Most of the people I’m working with are professionals who are dedicated to making this project a success. Some of the people are, for various reasons, driving me crazy. That’s pretty much par for the course.

Psychotherapy practice: saw first client.

Therapist-client confidentiality notwithstanding, I am happy to finally be getting my practice off the ground. It is a new beginning and it feels great in all the right places.

 

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Why Psychotherapist (pt. 2 – tangent)

In the course of moving towards a practice (which has begun, if gradually), my wife and I have been renovating our basement for nearly the past year. Yes, one of those reno’s. The purpose of which was so that I could work out of the house as opposed to rent office space (which is not cheap in downtown Toronto).

It’s been a learning experience: learning about renovations, learning about doing long bouts of manual labour beside a loved one, learning about the ways in which two people can live together, be married and all that, yet have different approaches toward planning and executing large-scale operations. On this note, it’s also been about communicating, dealing with stress, and knowing when to take a break (from the basement).

Most recently, my wife – who is an amazing designer – designed a compact website for my practice: please visit. With the basement almost done, and a website online (heck, I also have business cards), it seems all of the hallmarks (and clichés) of “change” are ringing true.

Of course, the practice is in its infancy. I am still working hard on a Hollywood 3D dance film, and waiting to hear back from my agent (can’t get used to typing those two words) about the most recent revision to my novel that I submitted.

I will let you know how it proceeds.

Here’s an interesting question someone asked me, when they heard I was studying to practice as a psychotherapist. I will discuss this in an upcoming blog post:

“Do you feel pressure to be a better person?”

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Why Psychotherapist? (pt. 1)

It would seem a bit of a 180° turn, to go from someone who works behind the scenes of film and TV shows to becoming a psychotherapist. It’s not a dramatic story, but over time I’ve found that my strengths have always been interpersonal, particularly when talking about weighty matters. Friends have always valued what I offered in our discussions: impartiality, a different perspective – something more than just sympathy or advice. Combine this with my artsy leanings, my active life as a fiction writer, and the simple fact that I’ve had more than one person say “You should be a therapist”, I decided that it was something to look into.

Actually, it was something I mostly talked about, rather than looked into. It was my partner who happened upon the website of the institute that I ended up enrolling in. The more I looked into it, even though it had been a very long time since studying anything relating to psychology or psychotherapy, the more it felt right (or at least, worth the risk if it didn’t turn out to be something I liked).

And, slowly, I came to this place: a year-and-a-half later, an almost-renovated office in the basement, business cards and website in the works. I’m still enrolled in the program (halfway through my second of three years) and hope to take on clients part-time in the next month as a therapist-in-training. Of course, I’m still going to be working in film until I’ve completed the projects that I’ve started. I have no clue how the transition will go: slowly, quickly, easy, bumpy. Not sure.

That said, being a psychotherapist, I am discovering, feels natural. I have no hesitation sitting in the therapist’s chair and sharing time and space with someone who needs to talk. It is an obviously challenging career, but one that I feel better-suited to than what I am currently doing.

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Happy New Year & More…

Hello all,

Not much updating lately. There is a reason. Actually, two:

1)  I’ve signed with a literary agency who are interested in my current novel. This is great/fabulous/OMG news. However, because there are substantive revisions to be made (in order to clarify some of the details in the book and make it easier to sell to a publisher), my time is taken up with that.

2)  I am beginning my career transition, from film/TV Post Production Supervisor to Psychotherapist. I haven’t really made that public here, but it’s happening. I will begin to discuss it soon, because obviously it will need some explanation. Part of the transition has been renovating our basement to be an office – while this is a great idea (even still), it’s also been a great deal of work and stress and cost.

So, as you can see, particularly when you factor-in work-work, my plate is full. I will send updates here as they happen – or you can simply subscribe to updates. I will obviously have much to share with you about how both of these developments…um, develop.

Needless to say, it’s an exciting, somewhat scary time.

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Brief Reviews: The Perfect Host

When I saw that David Hyde Pierce was going to be in a movie where he got to play a villainous dinner host, I thought it had everything going for it. When, later, I saw the trailer for the film, I found myself very much interested in seeing it.

And then nothing happened. I never saw it released in theatres. It didn’t even make the local rounds as a limited or art house theatrical release.

Then, one day, I’m walking through Queen Video and I see it on the shelf. Hot damn, thinks I. I take the tag to the counter and the cool video girl says I really want to see this. I then comment on the fact that I never saw it released in theatres, that this is typically – certainly not in this movie’s case – the mark of Cain. I think we both looked at each other for a moment, then I settled up and took the DVD home.

The Perfect Host has a great premise: a bank robber (Clayne Crawford, eerily reminiscent of Ray Liotta), fleeing capture, takes shelter under false pretenses as a guest of Warwick Wilson (Pierce), a rather elegant, if odd-mannered home owner who is about to throw a party for friends. However, the thief discovers that his host is more than he seems – that he is in fact a sadistic bully who wants to have fun with his prey.

The problem, and this becomes apparent quite soon, is that Warwick’s impending dinner party is all in his head. His guests are imaginary. That’s right: HE’S INSANE. This wouldn’t be so bad if it wasn’t for the fact that the trailer didn’t really make this apparent, and suddenly what promises to be a suspenseful nail-biter (a thief hiding in a crowd of strangers sizzles on the page, after all) turns into a ho-hum, sometimes awkward two-hander. While David Hyde Pierce (who many will know as Niles Crane, from TV’s Frasier) is certainly up to the job in the role of Wilson, the script hits an early dead-end after the initial setup, leaving him and Crawford to play in a lame version of Sleuth as directed by Quentin Tarantino.

What’s worse is that, despite the low-budget compromises and lack of other real characters to impact upon the action (after all, who gives a shit about what imaginary house guests think), The Perfect Host shows promises of becoming a better film via flashbacks of the thief’s backstory, but by the last act (and certainly the ending) the logic is stretched beyond respect for the intelligence of the viewer, with far too many plot holes. Considering the talent wasted, this is sort of tragic.

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